Viktor Krivulin (poetry), Arkadii Dragomoshchenko (prose), Boris Grois (research in humanities)
Víktor Borísovich Krivúlin (1944 — 2001)
*Stikhi posle stikhov. SPb: Peterburgskii pisatel', 2011. — 143 p.
*Kupanie v iordani. SPb: Pushkinskii fond, 1998. — 76 p.
*Okhota na mamonta. SPb: BLITs, 1998. — 333 p.
*Osnovnye zapisi: uzory i kraski. Leningrad: Parizh: Beseda, 1998. — 205 p.
*Kontsert po zaiavkam: tri knigi stikhov trekh poslednikh let, 1990-1992. SPb, 1993. — 96 p.
Arkádii Trofímovich Dragomóshchenko (1946 — 2012)
*Na beregakh iskliuchennoi reki. M.: OGI, 2005. — 78 p.
*Opisanie. SPb, Gumanitarnaia akademiia, 2000. — 364 p.
*Kitaiskoe solntse. SPb, 1997. — 224 p.
*Ksenii. SPb, 1993. — 100 p.
*Nebo sootvetsvii: stikhi. Leningrad: Sovetskii pisatel', 1990. — 69 p.
English translations:
*Dust. Champaign: Dalkey Archive Press, 2008. — 94 p.
*Xenia. Los Angeles: Sun & Moon Press, 1994. — 166 r.
Borís Efímovich Grois (1947 —)
*Iskusstvo utopii: Gesamtkunstwerk Stalin: stat'i. M.: Khudozhestvennyi zhurnal: Znak, 2003.
*Utopiia i obmen. M.: Znak, 1993. — 373 p.
*Dnevnik filosofa. Parizh : Beseda: Sintaksis, 1989. — 235 p.
*Going public. Berlin; New York: Sternberg Press, 2010. — 168 p.
*History becomes form: Moscow conceptualism. Cambridge, Mass.: MIT Press, 2010. — 198 p.
*The communist postscript. London: Verso, 2009. — 127 p.
*Art power. Cambridge, Mass.: MIT Press, 2008. — 187 p.
*The total art of Stalinism: avant-garde, aesthetic dictatorship, and beyond (Gesamtkunstwerk Stalin). Princeton, N.J.: Princeton University Press, 1992. — 126 p.