Indiana University and the city of Bloomington occupy lands of enduring historical and cultural significance, and that for some was, is, and will always be home, to a number of Indigenous groups, including the Myaamiaki (Miami), Lënape (Delaware), saawanwa (Shawnee), kiikaapoa (Kickapoo), and Neshnabé/Bodwéwadmik (Potawatomi) peoples. We honor and acknowledge the ancestral and contemporary caretakers of this place, as well as our nonhuman spirits, elders, and guides, offer gratitude for being held and nourished by the land, and recognize the inherent sovereignty and resilience of all Native communities who have survived and still thrive to this day on Turtle Island in spite of the systemic subjugation, dispossession, and genocide that constitute the ongoing reality of settler-colonialism.
We encourage all, settlers and guests alike, to look beyond acknowledgement and engage with local Indigenous communities while also cultivating thoughtful relations of reciprocity with the sacred land you live on, as well as the many vibrant beings with whom you share it.
Further Resources & Reading
If you'd like to learn more about the practice and history of Indigenous land acknowledgments and the tribes, nations, and communities with ties to this land colonially known as the state of Indiana, consult our full resource guide.
We're glad you're here. This guide contains information pertaining to the field of media studies. Here you'll find featured content, helpful resources and services for scholars, instructional support information, research & writing tips, new titles, and recommended resources for media studies scholars. You will also find a list of campus & community resources relevant to film and media. For a description of what you'll find in each section of this guide, just hover over each item in the navigation menu on the left-hand side of this page; if you're using a mobile device, you'll also find a summary on each page.
The subject specialist and collection manager for this area is nicholae cline. If you would like to contact them, please use the profile box located on the left-hand side of this page. If you would like to request a purchase for our collections, you can use this form.
To learn more about who we are and the services we offer, including links to key general library services, take a look at the About Us page of this guide.
Media Studies refers to the broad range of interdisciplinary subjects focusing on media culture and production. This may include media theory; game studies & design; communication & culture; telecommunications & communication science; media production, design, & aesthetics; mass media & popular culture; film & cinema studies, including the history & culture thereof; identity & representation; policy, copyright, and other legal frameworks; media ecology; journalism and the news, public relations and advertising, among many others. This subject area may also maintain commitments to sociocultural concerns relevant to information technology, such as the surveillance economy, social media, and other forms of technologically mediated interactions.
Media studies may and often does intersect with other fields, including philosophy, literary & social theory, art history & criticism, and cultural studies, et al.
This guide comprises resources and information relevant to students within the IU Media School, as well as those engaging with media, generally, in their research. Scholars of media often find themselves working with and across a variety frameworks, both regional and global; formats, both analog (film, videocassettes/DVDs) and digital; and styles, from radio programming to movies, from television to video games, and beyond.
To learn more about the IU Media School, please visit their website.
Welcome! In this special feature for October, explore various pieces of media relating to the theme of all things spooky and horror. From research done in media studies to TV shows you can binge this fall, spooktober can be celebrated through a variety of mediums. Though Halloween has only been a prominent cultural phenomena and holiday in the United States for around 4 decades, it has left an impact on a lot of media.
This spooktober playlist was created to highlight music inspired by or used in spooktober films, as well as Halloween hits.
There are many holiday celebrations of the eerie supernatural or the dead that can be found worldwide and throughout history. These include but are not limited to: Fastelavn (Denmark), Walpurgisnacht (Germany), Día de los Muertos (Mexico), Samhain (Ireland/Scotland), the Hungry Ghost Festival (China), and the Obon Festival (Japan).
Explore more about these holidays and their origins below:
Horror studies.
The woman in black
by
Susan Hill
Cursed Bunny
by
Bora Chung
The innocents
by
Jack Clayton
Psycho
by
Alfred Hitchcock (director)
An American werewolf in London
by
John Landis (director)
Dawn of the dead
by
George A. Romero (director)
The Addams family
by
Barry Sonnenfeld (director)
The thing
by
John Carpenter (director)
Suspiria
by
Dario Argento (director)
Suspiria
by
Luca Guadagnino (director)
The substance
by
Coralie Fargeat (director)
Sinners
by
Ryan Coogler (director)
I Saw the TV Glow
by
Jane Schoenbrun (director)
The haunting of Hill House
by
Mike Flanagan (creator)
The haunting of Bly Manor
by
Mike Flanagan (creator)
What we do in the shadows
by
Jemaine Clement (creator)
Interview with the vampire
by
Rolin Jones (creator)
All of us are dead
by
Chun Sung-il (creator), Lee Jae-kyoo (creator), Kim Nam-su (creator)
In celebration of National Hispanic American Heritage Month, we have put together a feature commemorating Hispanic and Latine/Latinx artists and creators from across generations.
We recognize that not everyone being celebrated throughout this month align with using labels such as Hispanic or Latin(e/x) that we will be using for the title of this feature. Several terms are more accepted due to different movements in gender equity and nonbinary visibility as well as a collective push back on terms rooted in colonialism. We invite any and all people to celebrate this month and use this feature to explore more about the wide and diverse range of art, film, literature, and general culture of Hispanic and Latin(e/x) people.
For more on the topic of terms and labels, the New York Public Librarian's curator of Latin American, Iberian, and Latino Studies Paloma Celis Carbajal shares more in their article "From Hispanic to Latine: Hispanic Heritage Month and the Terms That Bind Us."
For more on the topic, and this month-long celebration, consult some of the following resources:
To provide an initial orientation to this feature and the contributions of Latinx artists, we have compiled a chronological survey of songs by musicians from these communities across time and genre. To learn more about Hispanic and Latinx musical worlds, check out some of the resources we used to create this playlist:
If you would like to engage more with this month-long celebration, the Libraries have curated a number of interrelated resources and features to continue and deepen the conversation. You'll find these, below:
A sampling of scholarly articles from our electronic databases relevant to Latin(x/e) identity and culture:
Anguiano, José G., Uriostegui, Marbella, Gussman, Melissa, & Kouyoumdjian, Claudia. “Sonic Counterspaces: The Role of Music in the Latino College Experience at a Predominantly White Institution.” Journal of Hispanic Higher Education, vol. 21, no. 1, 2022, pp. 67-81.
Galvin, Rachel. “Transcreation and Self-Translation in Contemporary Latinx Poetry.” Critical Inquiry, vol. 49, no. 1, 2022, pp. 28-54.
Gutiérrez, Arcelia. “Situating Representation As a Form of Erasure: #OscarsSoWhite, Black Twitter, and Latinx Twitter.” Television & New Media, vol. 23, no. 1, 2022, pp. 100-118.
McFarland, Pancho. “Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre.” Callaloo, vol. 29, no. 3, 2006, pp. 939-955.
For a more comprehensive list of films (both features and documentaries) relevant to this celebration, please visit Media Service's guide to Hispanic History & Heritage Month Streaming and DVD Resources.
Real Women Have Curves
by
Patricia Cardoso
Selena
by
Gregory Nava
Coco
by
Lee Unkrich & Adrian Molina
Roma
by
Alfonso Cuarón
Latinos Beyond Reel: Challenging a Media Stereotype
by
Miguel Picker and Chyng Sun
Dolores
by
Peter Bratt
Wildness
by
Wu Tsang
Underwater Dreams
by
Mary Mazzio
Latino Vote: Dispatches from the Battleground
by
Daniela I. Quiroz
The Hand That Feeds
by
Rachel Lears
Los Graduados (The Graduates)
by
Carla Gutierrez
Singing Our Way to Freedom
by
Paul Espinosa
No Más Bebés
by
Renee Tajima-Peña
Piñata People
by
Charlie Vela
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Tres Cuentos
by
Carolina Quiroga-Stultz
Latino USA
by
Futuro Media and PRX
In celebration of National Disability Awareness Month in March, Disability Pride Month in July, and National Disability Employment Month in October, we curated this feature to focus on disabled, neurodivergent, crip, and sick creators in a wide range of mediums. Disability is a topic in film, literature, music, and other media that often gets pushed to the side due to fear, stigma, and pity. This feature is a testament to the vibrant community of disability media and its creators that refuse to let diagnoses or illness stand in the way of artistic expression.
To read more about disability language and the use of "crip," enjoy this article by Dean Strauss: "Queer Crips: Reclaiming Language," and Brittany Wong's Huffington Post article "It's Perfectly OK to call a Disabled Person 'Disabled,' And Here's Why."
To get started with this feature, we have compiled a selection of music from disabled, sick, and neurodivergent artists from across time and genres. To learn more about these artists and communities, and the particularities of their musical contributions, enjoy some of the resources we used to help make this playlist:
If you would like to engage more with this month-long celebration, the Libraries have curated a number of interrelated resources and features to continue and deepen the conversation. You'll find these, below:
There are a number of resources and services available to students, staff, and faculty on the Bloomington campus. A selection of these is provided here:
Changer: A Hand Telling
by
Howie Seago
The Peanut Butter Falcon
by
Tyler Nilson & Michael Schwartz
The Theory of Everything
by
James Marsh
Ray
by
Taylor Hackford
Deaf Jam
by
Judy Lieff
My Name is Gennet
by
Miguel Ángel Tobías
Deej
by
Robert Rooy & David James Savarese
Autism In Love
by
Matt Fuller
Kū Kanaka/Stand Tall
by
Marlene Booth
Sickboy
by
CBC Podcasts
Flight Paths
by
Maria Oshodi
Victoria Walton
Yayoi Kusama
Molly Otremba
In recognition and celebration of Black History Month this February, we have curated a selection of books, films, podcasts, and music that celebrate the voices, writing, lives, and history of Black people in America. This collection loosely centers around Blackness in media—aiming to highlight Black music, pop culture, television, and performance. In these selections you will find Black creators discussing the impact of media misrepresentation on Black masculinity, connections between Black music and culinary traditions, rest as a form of resistance, the history of Black performance in America, Black feminist sound, and ekphrastic Black & queer futures alongside a variety of other topics. We hope that you can utilize this collection alongside additional IU Library resources to recognize and celebrate the work of Black intellectuals, writers, poets, chefs, directors, and creators this February.
Our collection is only a small sampling of texts. See below for additional reading lists:
In addition to the resources we've gathered in this feature, we've also curated a sampling of music by black artists, across time and genre. To learn more about the deep and varied contributions of black musicians to the development of this medium, take a look at some of the resources we used to make this and other related playlists in the Sounds of Black History Month feature.
Note: To enjoy the playlist in full, click on the white Spotify icon in the upper-right corner of the playlist, and press the "like" (♡) button in the application to save.
National recognition months are a great opportunity to celebrate and participate in events and learning that honor the history of marginalized communities. We recognize, however, that these months, and the creation of resource guides, is only one small step in celebrating and recognizing the contributions of marginalized communities across America. We also recognize that reading books, engaging with films, and listening to music by Black creators is only one aspect of supporting Black communities. To engage more fully, consider supporting local Black-owned businesses, learning about the history and experiences of Black people in Bloomington and at IU, and supporting institutions at IU the are dedicated to Black students. Please see our feature on Local Black History for resources specific to Bloomington, Indiana.
In particular, we would like to highlight the Celebrating Black Cinema series hosted by the Black Film Center & Archive, the Neal-Marshall Black Culture Center, and the City of Bloomington. See the full list of events on the Neal-Marshall Black Culture Center Calendar.
To explore more programming at IU, see below:
While Black History Month, as a formulation, often emphasizes history and the present (and thus maintains a retrospective focus), we acknowledge that there are many Black futures that we can dream, cultivate, and grow together. While we have highlighted a number of resources that imagine a different world, in the (or "a") future we hope to shift our focus to looking forward, with new features and resources that highlight what is possible.
If you'd like to engage more deeply with Black History Month through library resources, the IU Libraries Arts & Humanities department has created a number of resources and features to provide more holistic coverage of Black history:
For more poetry, explore the following curated lists:
Poems of Cabin and Field
by
Paul Laurence Dunbar
See "A Century of Greatness: The Best African American Literary Anthologies" by Kenton Rambsy for more.
Queen & Slim
by
Melina Matsoukas (director)
Nope
by
Jordan Peele (director)
Black Panther
by
Ryan Coogler (director)
Sorry to Bother You
by
Boots Riley (director)
Love & Basketball
by
Gina Prince-Bythewood (director)
Moonlight
by
Barry Jenkins (director)
The Hate U Give
by
George Tillman Jr. (director)
Belle
by
Amma Asante (director)
Summer of Soul (...Or, When the Revolution Could Not Be Televised)
by
Ahmir "Questlove" Thompson (director)
Across, Beyond, and Over
by
Brit Fryer (director); Noah Schamus (director)
A Galaxy Sits in the Cracks
by
Amber Love (director)
I Am Not Your Negro
by
Raoul Peck (director)
Still Processing
by
Wesley Morris and J Wortham
Black Men Can’t Jump [In Hollywood]
by
Jonathan Braylock, Jerah Milligan, and James III
The Sum of Us
by
Heather McGhee
Black History Bootcamp
by
GirlTrek
1619
by
Nikole Hannah-Jones
When Opera Rejected Alexander Smalls, He Opened A Restaurant
by
The Sporkful with Dan Pashman
Dionne Brand: Nomenclature—New and Collected Poems
by
Between the Covers (Tin House)
Laryngology (VOICE BOXES) with Dr. Ronda Alexander
by
Ologies with Alie Ward
N8ture_Al On Seeing And Being Seen with Alex Troutman
by
Coffee at New Jersey Audubon
Your Success Probably Didn’t Come From Merit Alone with Tressie McMillan Cottam
by
The Ezra Klein Show
This volume offers deeper exploration and advancement of critical race media literacy, a concept which fuses the genres of media literacy and critical media literacy with critical race theory to bring a new and salient frame to the discussion of media literacy across all levels of education in today’s globalized, race-based, and media-saturated climate. Bridging the gap in research that has not addressed the ways in which media is a conduit of racial dialogue and ideology, the book brings together a diverse group of scholars that explore their perspectives on critical race media literacy as it is experienced from the interface and consumption of a variety of media texts and social phenomena. Topics addressed include news literacy, children’s literature, Black political movements, media protests, and ethnic rock—Critical Race Media Literacy addresses these topics within existing media literacy contexts to enhance media literacy scholarship and educational pedagogy. This book will provide a timely and important resource not only for scholars and students of media literacy and media education but also for educators working in diverse learning settings.
Far more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically interdisciplinary work presents a series of investigations into some of the most influential and innovative treatments of American mass incarceration to hit our screens in recent decades. Looking beyond celebratory accolades, Lee A. Flamand argues that we cannot understand the eagerness of influential programs such as OZ, The Wire, Orange Is the New Black, 13th,and Queen Sugarto integrate the sensibilities of prison ethnography, urban sociology, identity politics activism, and even Black feminist theory into their narrative structures without understanding how such critical postures relate to the cultural aspirations and commercial goals of a quickly evolving TV industry and the most deeply ingrained continuities of American storytelling practices.
A call to action for the creative class and labor movement to rally against the power of Big Tech and Big Media Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)--or both. In Chokepoint Capitalism, scholar Rebecca Giblin and writer and activist Cory Doctorow argue we're in a new era of "chokepoint capitalism," with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that's being heisted away--before it's too late.
This study of media discourse combines a theoretical framework with empirical engagement and brings together analysis from a range of disciplines. As such, this volume will enable readers to more comprehensively embrace the nature of media communication, on the one hand, and, on the other, it will provide media discourse producers with more effective instruments to understand the role of media in social life.
The writings of one of the greatest film critics of his generation on the auteur approach of the French New Wave to a more structural examination of film. One of the greatest film critics of his generation, Serge Daney wrote for Cahiers du Cinema before becoming a journalist for the daily newspaper Liberation. The writings collected in this volume reflect Daney's evolving interests, from the auteur approach of the French New Wave to a more structural examination of film, psychoanalysis, and popular culture. Openly gay throughout his lifetime, Daney rarely wrote explicitly about homosexuality but his writings reflect a queer sensibility that would influence future generations. In regular intellectual exchanges with Gilles Deleuze, Felix Guattari, and Roland Barthes, Daney wrote about cinema autobiographically, while lyrically analyzing the transition from modern cinema to postmodern media. A noted polymath, Daney also published books about tennis and Haiti's notorious Duvalier regime. His criticism is open and challenging, polyvocal and compulsively readable.
The horror anthology TV show American Horror Story first aired on FX Horror in 2011 and has thus far spanned eight seasons. Addressing many areas of cultural concern, the show has tapped in to conversations about celebrity culture, family dynamics, and more. This volume with nine new essays and one reprinted one considers how this series engages with representations of gender, sexuality, queer identities and other LGBTQ issues. The contributors address myriad elements of American Horror Story, from the relationship between gender and nature to contemporary masculinities, offering a sustained analysis of a show that has proven to be central to contemporary genre television.
Over the course of the past two decades, horror cinema around the globe has become increasingly preoccupied with the concept of loss. Grief in Contemporary Horror Cinema: Screening Loss examines the theme of grief as it is represented in both indie and mainstream films, including works such as Jennifer Kent's watershed film The Babadook, Juan Antonio Bayona's award-sweeping El orfanato, Ari Aster's genre-straddling Midsommar, and Lars von Trier's visually stunning Melancholia. Analyzing depictions of grief ranging from the intimate grief of a small family to the collective grief of an entire nation, the essays illustrate how these works serve to provide unity, catharsis, and--sometimes--healing.
The Handbook of Japanese Media and Popular Culture in Transitionbrings together new research and perspectives on popular media phenomena, as well as shining a spotlight on texts that are less well known or studied. Organized into five thematic sections, the chapters span a diverse range of cultural genres, including contemporary film and television, postwar cinema, advertising, popular fiction, men's magazines, manga and anime, karaoke and digital media. They address issues critical to contemporary Japanese society: the politicization of history, authenticity and representation, constructions of identity, trauma and social disaffection, intersectionality and trans/nationalism. Drawing on methods and approaches from a range of disciplines, the chapters make explicit the interconnections between these areas of research and map out possible trajectories for future inquiry. As such, the handbook will be of value to both novice scholars and seasoned researchers, working within and/or beyond the Japanese media studies remit.
This collection surveys the key debates and issues that currently face fashion journalism, going beyond traditional print media to consider its multiple contexts and iterations in an ever-evolving post-digital media environment. Bringing together a diverse range of contributors, Insights on Fashion Journalism explores the characteristics, complexities, shifts and specificities of the field. Part One focuses on the complex relationships between those who practice fashion journalism, the fashion industry, and the media context in which they operate; Part Two considers the ways in which fashion journalism responds to the socio-political and cultural contexts in which it is created, as well as the impact these contexts have on tone, content, and style; and Part Three investigates how language is employed in different media. Approaching fashion journalism through a critically diverse lens, this collection is an asset for academics and students in the fields of fashion studies, journalism, communication, cultural studies and digital media.
This book is about K-pop dance and the evolution and presence of its dance fandom on social media. Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called 'gestural point choreography' - front-driven, two-dimensional, decorative and charming movements of the upper body and face - as an example of what the author theorizes as 'social media dance.' It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually 'fandoming' themselves and their bodies. Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.
What goes into the ideological sustenance of an illiberal capitalist democracy? While much of the critical discussion of the media in authoritarian contexts focus on state power, the emphasis on strong states tend to perpetuate misnomers about the media as mere tools of the state and sustain myths about their absolute power. Turning to the lived everyday of media producers in Singapore, I pose a series of questions that explore what it takes to perpetuate authoritarian resilience in the mass media. How, in what terms and through what means, does a politically stable illiberal Asian state like Singapore formulate its dominant imaginary of social order? What are the television production practices that perform and instantiate the social imaginary, and who are the audiences that are conjured and performed in the process? What are the roles played by imagined audiences in sustaining authoritarian resilience in the media? If, as I will argue in the book, audiences function as the central problematic that engenders anxieties and self-policing amongst producers, can the audience become a surrogate for the authoritarian state?
The persistent popularity of the detective narrative, new obsessions with psychological and supernatural disturbances, as well as the resurgence of older narratives of mystery or the Gothic all constitute a vast proportion of contemporary film and television productions. New ways of watching film and television have also seen a reinvigoration of this 'most domestic of media'. But what does this 'domesticity' of genre and media look like 'Down Under' in the twenty.first century? This collection traces representations of the Gothic on both the small and large screens in Australia and New Zealand in the twenty.first century. It attends to the development and mutation of the Gothic in these post. or neo.colonial contexts, concentrating on the generic innovations of this temporal and geographical focus.
Voices of the Race offers English translations of more than one hundred articles published in Black newspapers in Argentina, Brazil, Cuba, and Uruguay from 1870 to 1960. Those publications were as important in Black community and intellectual life in Latin America as African American newspapers were in the United States, yet they are almost completely unknown to English-language readers. Expertly curated, the articles are organized into chapters centered on themes that emerged in the Black press: politics and citizenship, racism and anti-racism, family and education, community life, women, Africa and African culture, diaspora and Black internationalism, and arts and literature. Each chapter includes an introduction explaining how discussions on those topics evolved over time, and a list of questions to provoke further reflection. Each article is carefully edited and annotated; footnotes and a glossary explain names, events, and other references that will be unfamiliar to English-language readers. A unique, fascinating insight into the rich body of Black cultural and intellectual production across Latin America.
This book critically discusses the significance of popular music heritage as a means of remembering and re-presenting rock and pop artists, their music and their place in the culture of contemporary society. Since the mid-1990s, the contribution of popular music to the shaping of contemporary history and heritage has increasingly been acknowledged. In the same period, exhibitions of popular music related artefacts have become more commonplace in museums, and facilities dedicated to the celebration of popular music history and heritage, such as the Rock and Roll Hall of Fame, have opened their doors. Popular music heritage has found other mediums of expression too. There is now a significant popular music heritage media, including books, magazines, films and television series. Fans collect and display their own mementos, while the live performances of tribute bands and classic albums fulfill an increasing desire for the live spectacle of popular music heritage. This book will be crucial reading for established scholars as well as postgraduate and undergraduate students studying popular music heritage.
This fully updated and complete guide takes you inside the world of creating music for film, television, and-unique to this third edition-video games. Industry expert Jeff Rona addresses a wide range of topics including musical aesthetics, cutting-edge technology and techniques, and current business aspects. It is packed with interviews with the most influential film, television, and video game composers, along with music editors, music supervisors, agents, contractors and studio executives. Packed with insider's tips, the book also advises on how to nurture positive relationships within your creative team and business contacts. For the aspiring film, TV or video game composer, this book is a veritable cornucopia of useful information for pursuing scoring to picture as a career.
Understanding Personalization: New Aspects of Design and Consumption addresses the global phenomenon of personalization that affects many aspects of everyday life. The book identifies the dimensions of personalization and its typologies. Issues of privacy, the ethics of design, and the designer/maker's control versus the consumer's freedom are covered, along with sections on digital personalization, advances in new media technologies and software development, the way we communicate, our personal devices, and the way personal data is stored and used. Other sections cover the principles of personalization and changing patterns of consumption and development in marketing that facilitate individualized products and services. The book also assesses the convergence of both producers and consumers towards the co-creation of goods and services and the challenges surrounding personalization, customization, and bespoke marketing in the context of ownership and consumption.