3D Design

Sarah Sze : Fallen sky by Nora R. Lawrence (Editor) Published to contextualize Sarah Sze's (born 1969) outdoor work Fallen Sky and the accompanying installation Fifth Season at Storm King Art Center, this book includes an overview of the work in relation to Szes larger practice. Also included is a discussion between Sze and artist Katharina Grosse to discuss Fallen Sky and thematic parallels in their respective work.

Sarah Sze: Night into Day by Jean. Nouvel (Interviewer); Sarah Sze (Artist, Interviewer); Bruno Latour (Text by); Leanne Sacramone (Text by) On the twentieth anniversary of her first solo show at the Fondation Cartier pour l'art contemporain, American sculptor Sarah Sze presents two new sculptural installations in the gallery spaces of Jean Nouvel's iconic building. Commissioned by the Fondation Cartier, these works explore how the proliferation of images - printed in magazines, gleaned from the Web, intercepted from outer space - fundamentally changes our relation to physical objects, memories, and time. On the occasion of the exhibition, the Fondation Cartier is publishing this catalogue, which includes sketches by the artists and exhibition views, retracing the creation of these sculptures.

Sarah Sze by Benjamin H. D. Buchloh; Okwui Enwezor; Laura Hoptman The first substantial monograph on an artist whose sculptures capture the proliferation of information and objects in contemporary life.

Sarah Sze: Triple Point by Johanna Burton (Text by); Holly Block (Introduction by); Carey Lovelace (Introduction by); Sarah Sze (Artist); Jennifer Egan (Text by) Sarah Sze: Triple Point is a major new publication on the work of this celebrated artist, documenting Sze's ambitious, large-scale exhibition at the U.S. Pavilion of the 2013 Venice Biennale, with 64 pages of full-color plates and several significant new texts on Sze and her practice. Included is a conversation between the artist and Pulitzer Prize-winning author Jennifer Egan, along with a short story by Egan entitled "Black Box." Curator and scholar Johanna Burton contributes a new examination of Sze's practice, and 2013 Biennale Co-Commissioners Holly Block and Carey Lovelace provide an introduction to the project and artist.

Sarah Sze: Infinite Line by Sarah Sze (Artist) "Infinite Line" addresses the relationship of Sze's sculpture to drawing, and explores the influence of East Asian artistic traditions on her sensibility. "How do you make a sculpture that acts like a drawing?" Sze asks with these works. "How do you make a drawing that acts like a sculpture?"

Sarah Sze by Linda Norden; Arthur C. Danto As the first monograph to span the course of her career including sculptures, site-specific installations, and drawings, "Sarah Sze" reveals the artist's working process and gives insight into the thoughtful precision and care that goes into each and every one of her creations. Elaborately transforming everyday materials into elegant sculptures and installations, Sze eloquently finesses the line between sculpture and architecture. In her essay, writer and curator Linda Norden explores the question of how matter takes on value, both temporally and spatially.

Sarah Sze by Amada Cruz (Introduction by); Elizabeth A. T. Smith (Contribution by); Douglas Rushkoff (Contribution by) This catalogue documents and contextualizes the recent departure from closed environments that Sze took in creating an outdoor project at Bard College in upstate New York, a move that necessitated a subtle shift to materials that could withstand the elements. Sze has said that the exhibition space becomes a studio during her installations; here, her studio is a meadow.

Sarah Sze by Jerome Sans; Jean Louis Schefer A record of Sarah Sze's entire body of work since her first show in New York in 1996. Architecture and the city are at the heart of her work. This volume is published to coincide with Sze's installations at the Fondation Cartier in Paris during the autumn of 2000.