Richard Long: Many Rivers to Cross by Richard Long"Many Rivers to Cross" is an overview of Long's career, selected by the artist himself and spanning the late 1960s to the present day. It covers his practice in all its forms - walks, photographs, text works, large installations, mud works and drawings, including some early unpublished works as well as many seminal and celebrated projects. Some short 'back stories' written by Long provide insight into the context and creation of key works, but also evoke the sense of freedom and adventure of an epic journey across foreign landscapes. Texts include a recent conversation between Long and internationally acclaimed composer and musician Nitin Sawhney; a dialogue about the recreation of Muddy Water Circle (1994) at Frieze Masters in London with Lisson Gallery in 2013; and a discussion with curator Alkistis Dimaki on the occasion of the presentation of Athens Slate Line at the Acropolis, Athens, in summer 2020. The book also includes documentation of works presented internationally in museums and galleries.
Call Number: N6797.L65 A4 2021
ISBN: 9780500971208
Publication Date: 2022-06-21
Richard Long: Berlin Circle by Richard Long (Artist); Eugen Blume (Editor); Udo Kittelmann (Editor, Foreword by); Katharina Schlüter (Text by)Richard Long is one of the leading protagonists of Land Art. He uses the movement of his own body, hiking and walking through the landscape as a criterion and medium for his art. He has been creating outside works for more than 40 years all over the world. Photographs document these transient works. But right from the beginning the artist has also designed works for the museum space. Here as well, sculptures are created with archetypical forms, made of wood or stone: ellipses, lines or circles. The centre and inspiration for this exhibition at the Hamburger Bahnhof is the eponymous work Berlin Circle. The circle of stone, twelve metres in diametre, laid out on the floor is an important work in the Sammlung Marx and was first unveiled and installed by the artist For The opening of the Hamburger Bahnhof in 1996. Published on the occasion of the exhibition Richard Long: Berlin Circle at Hamburger Bahnhof, Museum Gegenwart, Berlin, 26 March - 31 July 2011.
Call Number: N6797.L65 A4 2011
ISBN: 9783869842165
Publication Date: 2012-04-30
Richard Long: A Line Made by Walking by Dieter RoelstraeteIn 1967, Richard Long, then twenty-two years old and a student at Saint Martin's School of Art in London, walked back and forth along a straight line in the grass in the English countryside, leaving a track that he then photographed in black and white. The resulting work, A Line Made by Walking, was not only the starting point for Long's career as an artist but also a landmark for a new kind of art emerging in Europe and the Americas. Although A Line Made by Walking is an instantly recognizable work, no detailed analysis of this foundational piece has yet been published until now.
Call Number: N6797.L65 R64 2010
ISBN: 9781846380600
Publication Date: 2010-03-26
Richard Long by Clarrie Wallis (Editor)This book, extensively illustrated and designed in collaboration with the artist, surveys Long's entire career, beginning with key early works including A Line Made By Walking (1967), A Ten Mile Walk (1968), Climbing Mount Kilimanjaro (1969), A Sculpture Left By The Tide (1970) and A Circle In Africa (1978). Featuring an essay by Tate curator Clarrie Wallis, "Richard Long" is an insightful look at a landmark artist.
Call Number: N6797.L65 A4 2009
ISBN: 9781854378415
Publication Date: 2009-09-01
Richard Long: Selected Statements & Interviews by Richard Long; Ben TufnellRichard Long is widely recognized as one of the most important artists to have emerged since the 1960s, along with contemporaries Robert Smithson, Robert Morris and Sol LeWitt. This book gathers a selection of Long's statements and interviews from 1971 through 2006. Published alongside black-and-white reproductions of his works, many of the texts have been unavailable for years. Also included are an early interview from 1971, published for the first time in English, and a previously unpublished conversation with Michael Auping, Chief Curator of the Modern Art Museum of Fort Worth.