3D Design

Daniel Buren by Daniel Buren (Artist); Claire Doherty (Text by) This volume collects recent works by the French conceptualist known for his site-specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing, complex appropriated spatial structures.

Daniel Buren by Daniel Buren; Guy Lelong This volume collects recent works by the French conceptualist known for his site-specific installations involving stripes--on land, air and sea. From New York's Guggenheim Museum to Beijing's Temple of Heaven, the Venice Architecture Biennale and the gardens of Versaille, Buren's interventions create amazing, complex appropriated spatial structures.

Daniel Buren: Underground by Daniel Buren (Artist); Eleanor Pinfield (Editor); Hans Ulrich Obrist (Contribution by); Tim Marlow (Interviewer) This book tells the story of the first permanent artwork in the UK by the renowned artist Daniel Buren, widely considered France's greatest living artist and one of the most significant contributors to the conceptual art movement. Commissioned by Art on the Underground, Buren has created a new permanent installation at Tottenham Court Road station in the centre of London, famously the location of extensive 1980s mosaics by Eduardo Paolozzi.

Daniel Buren. CRISS-CROSS by Helen Gamst (Editor); Sophie Calle (Text by); Jean-Louis Froment (Text by); Rudi Fuchs (Text by); Hans Haacke (Text by); Garry Neill Kennedy (Text by); Kasper König (Text by); Yvon Lambert (Text by); Paul Maenz (Text by); Massimo Minini (Text by); Naomi Spector (Text by) This monograph is unusual in bringing the voices from a wide range of people - writers, curators, gallerists, collectors, colleagues, art critics - who have given way to and influenced the artist's work throughout the years. The concept and layout do not only mirror Buren's artistic structures and aesthetics but also his playful way of thinking by offering fragments of works from specific times and letting the reader collect the final pieces herself.