3D Design

Lynda Benglis by Franck Gautherot, Caroline Hancock, Seungduk Kim Lynda Benglis is one of Americas most important artists. After starting her career as a painter/sculptor in the mid 1960s in New York she became a leader of Post Minimalism. Her interest in process led her to expand the possibilities of material from latex pourings and expansions to more precious materials such as glass and gold. Spanning 40 years her creative output ranges from early wax reliefs and polyurethane sculptures, cantilevered installations, to videos, Polaroids as well as work in ceramics, glass, paper and neon.

Lynda Benglis by Andrew Bonacina; Bibiana Obler; Nora Lawrence The definitive monograph on American sculptor and visual artist Lynda Benglis, one of the most important living artists today Since her arrival in New York from her native Louisiana in the late 1960s, Lynda Benglis gained recognition for creating a groundbreaking body of work that challenged sculpture and painting conventions in a largely male-dominated art world. A tireless explorer of new shape and materials, Benglis's gestural and formal approach to art-making has, over the years, elevated her to iconic status, her work being evidence of how process can wield pliant matter and let it 'take its own form'

Lynda Benglis by Lynda Benglis (Artist) Since the 1960s, Lynda Benglis (born 1941) has been celebrated for the free, ecstatic forms she has poured, thrown and molded in ceramic, latex, polyurethane and bronze. In her new work, documented in this volume, she turns to handmade paper, which she wraps around a chicken wire armature, often painting the sand-toned surface in bright, metallic colors offset by strokes of deep, coal-based black. At other times she leaves the paper virtually bare. These works reflect the environment in which they were made, the "sere and windblown" landscape of Santa Fe, New Mexico.

Lynda Benglis by Susan Richmond In four decades of abstract art practice, Lynda Benglis has not merely challenged the status quo. She has tied it in knots, melted it down and poured it across the floor, cast it in glass, clay, and bronze. Richmond gives serious critical attention to work often dismissed as trivial and rootless, recovering the themes that link the different phases of the artist's quest to capture the "frozen gesture."