Granfalloon: Celebrating the Life and Work of Kurt Vonnegut

Kurt Vonnegut's darkly comic work became a symbol for the counterculture of a generation. From his debut novel, Player Piano (1951) through seminal 1960's novels such as Cat's Cradle (1963) and Slaughterhouse-Five (1969) up to the recent success of A Man Without A Country (2005), Vonnegut's writing has remained commercially popular, offering a satirical yet optimistic outlook on modern life. Though many fellow writers admired Vonnegut - Gore Vidal famously suggesting that "Kurt was never dull" - the academic establishment has tended to retain a degree of scepticism concerning the validity of his work. This dynamic collection aims to re-evaluate Vonnegut's position as an integral part of the American post-war cannon of literature.

Morse argues that Vonnegut deserves acclaim as a pre-eminent post-World War II American story-teller with a sharply critical, satiric vision, who against formidable odds retains his belief in the humanity of man and the sacredness of life. The Guide surveys a vast range of Vonnegut's published works, including all of his novels from Player Piano to Bluebeard. Complete with Chronology, Primary and Secondary Bibliographies, and Index.

Vonnegut belongs to what Emerson called the party of hope but hope clearly restricted to this world. This book is the first scholarly study to discuss all of Vonnegut's novels against the background of his other writing, events of the 20th century, and the vast array of Vonnegut scholarship. In his novels he speaks eloquently and succinctly for his generation of Americans--the central generation of 20th-century Americans--thus making him the representative 20th-century American writer. His novels reflect the major traumatic public and private events that have gone into imagining being an American during that century, including the Great Depression, World War II, the Bomb, Vietnam, the weakening of social institutions, the vicissitudes of marriage and family, divorce, growing old, experiencing loss, and anticipating death. The book presents a clear, well-argued view of Vonnegut's work within the context of American literature and history. Like a majority of American writers, Vonnegut is a moralistic novelist but one who employs humor to drive home his ethical points. In many respects he most closely resembles Mark Twain not only in being a highly ethical novelist, but also in his use of comedy. His books serve a remarkable range of purposes: social commentary, theological discussion, ethical argument, parody, satire, and prophecy. His work reflects his strong belief in the dignity and worth of all individuals, and as an American pragmatist, he reminds his readers again and again of the unfinished nature of America.

Historically, an investigation into the impact of science and technology on society is nothing new to the area of literature; in fact it has been done for centuries. However, this book is relevant in its attempt to understand, in Vonnegut's novels, how Darwin's theory of evolution functions as a cosmogonic myth that is widely accepted in order to explain why the world is as it is and why things happen as they do, to provide a rationale for social customs and observances, and to establish the sanctions for the rules by which Vonnegut's characters conduct their lives. Moreover, this book deals with how and why Kurt Vonnegut's fiction represents the changing human image resulting from Darwinism. Includes the essay "The principles of the evolutionary mythology in Galápagos."

Assesses the nature of Vonnegut's popularity, the quality of his humor, the ornaments of his style, and the importance of his concerns and techniques

Kurt Vonnegut is one of the few American writers since Mark Twain to have won and sustained a great popular acceptance while boldly introducing new themes and forms on the literary cutting edge. This is the Vonnegut effect that Jerome Klinkowitz finds unique among postmodern authors. forces in American life that have made Vonnegut's works possible - some would say necessary. Born in 1922 and still writing trenchantly more than 80 years later, Vonnegut shares with readers a world that includes the Great Depression, during which his family lost their economic support; the Second World War, in which he was captured at the Battle of the Bulge and experienced the firebombing of Dresden; the corporate surge of postwar America, which he abetted as a publicist for General Electric's Research Laboratory, where Progress Is Our Most Important Product; the entrepreneurship of the 1950s, which he participated in when he ran a Saab automobile dealership and operated a short-story business, selling to the era's family magazines; and the counter-cultural revolt of the 1960s, during which his fiction first gained prominence. Vonnegut also takes us through the growth in recent decades of America's sway in art, which his fiction celebrates, and geopolitics, which his novels question. Klinkowitz offers The Vonnegut Effect as a thorough treatment of the author's fiction - a canon covering more than a half century and compromising 20 books. Considering both Vonnegut's methods and the cultural needs they have served, Klinkowitz explains how those works came to be written and concludes with an assessment of the author's place in the tradition of American fiction.

Collected essays by noted scholars covering the breadth and influence of Kurt Vonnegut's literature.

In this original comparative study of Kurt Vonnegut and Ernest Hemingway, Lawrence R. Broer maps the striking intersections of biography and artistry in works by both writers, and he compares the ways in which they blend life and art. Broer views Hemingway as the secret sharer of Vonnegut's literary imagination and argues that the two writers while traditionally considered as adversaries because of Vonnegut's rejection of Hemingway's emblematic hypermasculinism inevitably address similar deterministic wounds in their fiction: childhood traumas, family insanity, deforming wartime experiences, and depression. Rooting his discussion in these psychological commonalities between Vonnegut and Hemingway, Broer traces their personal and artistic paths by pairing sets of works and protagonists in ways that show the two writers not only addressing similar concerns, but developing a response that in the end establishes an underlying kinship when it comes to the fate of the American hero of the twentieth century. Broer sees Vonnegut and Hemingway as fundamentally at war with themselves, with one another's artistic visions, and with the idea of war itself. Against this onslaught, he asserts, they wrote as a mode of therapy and achieved literary greatness through combative opposition to the shadows that loomed so large around them.

Kurt Vonnegut is one of the most popular and admired authors of post-war American literature - famous both for his playful and deceptively simple style as well as for his scathing critiques of social injustice and war.""Critical Companion to Kurt Vonnegut"" provides a reliable, up-to-date, and encyclopedic source of information on Vonnegut's life and work for high school and college-level students, teachers, libraries, and the general public. This new book covers all his works, including his novels, such as the unforgettable ""Slaughterhouse-Five""; his short stories, such as ""Harrison Bergeron""; and his lectures and essays.

From the time he left his job as a publicist for General Electric in 1950 to pursue a career as a writer, Kurt Vonnegut has made an indelible mark on American literature. During the first decade of his career, his work appeared chiefly in paperback. With the hardcover publication of Cat's Cradle in 1963, his writings received increasing attention, with criticism of Vonnegut's work flourishing during the decades that followed. This volume traces the critical response to his work. Included in this book are reviews and critical essays on Vonnegut's writings from the roots of his career to the present day. The critical pieces are arranged chronologically from a review of Player Piano to an article on Hocus Pocus. The book systematically covers the critical response to every one of Vonnegut's novels. The first part of the book covers Vonnegut's rise to critical success with the publication of Slaughterhouse-Five in 1969, while the second part focuses on his later work, from Breakfast of Champions (1970) through Hocus Pocus (1990). A selected bibliography concludes the work.

The title of this book, Forever Pursuing Genesis, derives from a statement that Vonnegut once made about the nature of the universe and humankind's place in it. This study applies that statement to the narrative themes that Vonnegut has treated in his career.

Since the publication of his first short stories in the 1950s, Kurt Vonnegut has enjoyed much popular acclaim and has, since the 1970s, gained growing amounts of attention from the scholarly community. In the course of his career, he has become increasingly concerned with visual images. While such imagery occurs in his short fiction and novels, he has also written plays, in which ideas are visually represented on the stage. In recent years, he has devoted more and more of his time and energy to graphic art, producing paintings that are then silk screened. The contributors to this volume look at the visual images created by Vonnegut in his literary art, along with the images and representations of his thought that increasingly are being brought to life in other media. Much of Vonnegut's present significance, his talents as a mythmaker, and his impulse toward visual imagery were anticipated by Leslie Fiedler in The Divine Stupidity of Kurt Vonnegut, published in the September 1970 issue of Esquire. That essay is reprinted here as a prescient introduction to the volume. The essays that follow look at comic elements in Vonnegut's science fiction, the representation of authors in his works, and the translation of his writings into film. The book also examines Vonnegut's graphic art and includes photos of several of his works.

Our English classrooms are often only as vibrant as the literature that we teach. This book explores the writing of contemporary American author, Kurt Vonnegut, who offers readers and students engaging fiction and nonfiction works that confront the reader and the world. Here, teachers will find an introduction to the life and works of Vonnegut and an opportunity to explore how to bring his works into the classroom as a part of the reading and writing curriculum. This volume attempts to confront what we teach and how we teach as English teachers through the vivid texts Vonnegut offers his readers.

Kurt Vonnegut's career as a novelist encompasses virtually the whole second half of the twentieth century, and his novels are among the most widely read in America. Yet Vonnegut enjoyed another successful career as a short story writer. His short fiction brought him much acclaim in the early years of his writing career and made him visible to a very large audience. His stories were illustrated by some of the best artists in the business and were featured prominently in leading magazines such as Collier's^ the Saturday Evening Post, Ladies Home Journal, Cosmopolitan, and Argosy. Commentary on Vonnegut has generally separated his career as a novelist from his career as a short story writer. This volume provides a detailed analysis of Vonnegut's short fiction and shows that his short stories are an integral part of his overall canon. The short stories do not simply precede Vonnegut's novels. There is an extensive overlap of the publication of his novels and his shorter works. In writing short fiction, Vonnegut learned and practiced many of the skills and techniques that he employs in his novels. This volume begins by examining the relationship of the short fiction to the larger body of Vonnegut's writings. It then examines Vonnegut's earliest training as a writer, during his high school years and as a college journalist. The chapters that follow are then devoted to later periods in his life, the development of his short stories, and the recurrence of their techniques and content in Vonnegut's novels. The study concludes with a reassessment of the importance of the short story to Vonnegut's canon.

Since 1950, when his short stories first appeared, Kurt Vonnegut has published almost 50 short stories, 13 novels, two plays, and a teleplay. He has remained one of the shrewdest commentators--and often harshest critics--of American society, challenging the complacency of the Eisenhower years, watching the Kennedy's with admiration, and disliking Nixon. He has remained one of the most important chroniclers of American life, his message often foreboding though rarely gloomy. Yet he occupies an ambiguous place in American letters. The 14 essays in this collection seek to chronicle Vonnegut's career as it moves through changing times. The volume opens with a chronology of Vonnegut's life and three interviews with him. The essays consider his career, combining interest and readability for the general reader with critical commentary for the more serious scholar. The essays consider Vonnegut's later work or are retrospectives reevaluating aspects of his career. Some discuss individual works, particularly later novels, but most consider the ways Vonnegut pursues a theme or technique, the ways his mind works both in the construction of the novels and in the ideas embodied in them. There is also an Appendix discussing Vonnegut's most recent creative enterprise, graphic art, with 12 illustrations of his most recent art work.

Examines the events that have shaped Vonnegut's personal and artistic attitudes and analyzes the recurring themes of his novels and the literary forms in which they are treated

This volume contains reviews of Vonnegut's major works and essays surveying his career and the history of scholarship on his fiction. The essays show an author preoccupied with life's apparent lack of meaning and purpose, with war and human suffering, and with the precariousness of human psychological and physical survival. Topics covered include: Vonnegut's use of literary devices such as defamiliarization and the hero monomyth; and the theme of the artificially created extended family as a bulwark against loneliness. Of particular interest are Robert Scholes' "Kurt Vonnegut and Black Humor"; David Cowart's "Culture and Anarchy: Vonnegut's Later Career"; and Kathryn Hume's "Kurt Vonnegut and the Myths and Symbols of Meaning."

A study of Kurt Vonnegut's novels, approaching them as literary experiments attempting to comprehend the American experience in the postmodern condition

Critical acclaim eluded Kurt Vonnegut until Slaughterhouse-Five was published in 1969. An immediate best seller, it earned for the author respect from critics who had previously dismissed him as a mediocre science-fiction writer. Over the course of his career, Vonnegut was honoured as the Briggs-Copeland Lecturer at Harvard University, as a member of the National Institute of Arts and Letters, and as the Distinguished Professor of English Prose at the City University of New York. Through his insightful and sympathetic treatment of the psychologically and morally crippled victims of the modern world, Vonnegut earned a reputation as one of the greatest humanist writers of his time. This volume in the Critical Insights series presents a variety of new essays on the popular late-twentieth-century American novelist. For readers who are studying Vonnegut for the first time, a biographical sketch relates the details of his life and four essays survey the critical reception of his work, explore its cultural and historical contexts, situate Vonnegut among his contemporaries, and review key themes in his work. Readers seeking a deeper understanding of the writer can then move on to other original essays that explore a bevy of topics, such as major thematic trajectories in Vonnegut's work, the significance of metafiction in Vonnegut's works, Vonnegut's relationship with conventional Christianity, and Vonnegut's use of generic conventions. Works discussed include Slaughterhouse-Five, Breakfast of Champions, Hocus Pocus, Cat's Cradle, and The Sirens of Titan. Among the contributors are Ádám T. Bogár, Charles J. Shields, Donald Morse, Peter Freese, Lara Narcisi, and Shiela Pardee. Rounding out the volume are a chronology of Vonnegut's life and a list of his principle publications as well as a bibliography for readers seeking to study this fascinating author in greater depth. Each essay is 2,500 to 5,000 words in length, and all essays conclude with a list of ""Works Cited,"" along with endnotes. Finally, the volume's appendixes offer a section of useful reference resources: About This Volume Critical Context: Original Introductory Essays Critical Readings: Original In-Depth Essays Further Readings Detailed Bibliography Detailed Bio of the Editor General Subject Index

When the fictional is fused with the real, the theoretical with the practical, and the line demarcating these spheres of knowledge is blurred there should be a new understanding of the function of literature in post-modern times. The book provides an essential practice of understanding postmodernism fiction by minutely tackling the work of one of the most widely read among the few grandmasters of American letters, Kurt Vonnegut, whose masterpieces, Cat's Cradle, Slaughterhouse-Five, and Breakfast of Champions, are dealt with in a postmodernist vein. The work raises questions as to the validity of traditional interpretation of a writer who has added the fantastic to the amazing fusion of reality and fiction without losing the Vonnegut touch.

Traces the development of Vonnegut's style and philosophy, considering his novels, short stories, and plays, and looks at the American writer as a public man who speaks out on contemporary issues

In this book, Steve Gronert Ellerhoff explores short stories by Ray Bradbury and Kurt Vonnegut, written between 1943 and 1968, with a post-Jungian approach. Drawing upon archetypal theories of myth from Joseph Campbell, James Hillman and their forbearer C. G. Jung, Ellerhoff demonstrates how short fiction follows archetypal patterns that can illuminate our understanding of the authors, their times, and their culture. In practice, a post-Jungian 'mythodology' is shown to yield great insights for the literary criticism of short fiction. Chapters in this volume carefully contextualise and historicize each story, including Bradbury and Vonnegut's earliest and most imaginatively fantastic works. The archetypal constellations shaping Vonnegut's early works are shown to be war and fragmentation, while those in Bradbury's are family and the wholeness of the sun. Analysis is complemented by the explored significance of illustrations that featured alongside the stories in their first publications. By uncovering the ways these popular writers redressed old myths in new tropes--and coined new narrative elements for hopes and fears born of their era--the book reveals a fresh method which can be applied to all imaginative short stories, increasing understanding and critical engagement. Post-Jungian Psychology and the Short Stories of Ray Bradbury and Kurt Vonnegut is an important text for a number of fields, from Jungian and Post-Jungian studies to short story theoriesand American studies to Bradbury and Vonnegut studies. Scholars and students of literature will come away with a renewed appreciation for an archetypal approach to criticism, while the book will also be of great interest to practising depth psychologists seeking to incorporate short stories into therapy.

War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by building a home. Yet the writers discussed in this book complicate these expectations, since their female characters often take part directly in war and especially since their male characters repeatedly imagine domestic spaces for themselves in the midst of war. Chapters on Hemingway and the First World War, Kurt Vonnegut and the Second World War, and Tim O'Brien and the Vietnam War place these writers in their particular historical and cultural contexts while tracing similarities in their depiction of gender relationships, imagined domestic spaces, and the representability of trauma. The book concludes by examining post-9/11 American literature, probing what happenswhen the front lines actually come home to Americans. While much has been written about Hemingway, Vonnegut, O'Brien, and even 9/11 literature separately, this study is the first to bring them together in order to examine views about war, gender, and domesticity over a hundred-year period. It argues that 9/11 literature follows a long tradition of American writing about war in which the domestic and public realms are inextricably intertwined and in which imagined domestic spaces can provide a window into representing wartime trauma, an experience often thought to be unrepresentable or incomprehensible to those who were not actually there. Susan Farrell is Professor of English at the College of Charleston.

Explores the moral and philosophical underpinnings of Vonnegut's work.

Includes plot synopsis, historical contexts, societal contexts, religious contexts, scientific and technological contexts, biographical contexts, complementary texts, adaptations, discussion questions, essay ideas, and works cited.

The first authoritative biography of Kurt Vonnegut Jr., a writer who changed the conversation of American literature. In 2006, Charles Shields reached out to Kurt Vonnegut in a letter, asking for his endorsement for a planned biography. The first response was no ("A most respectful demurring by me for the excellent writer Charles J. Shields, who offered to be my biographer"). Unwilling to take no for an answer, propelled by a passion for his subject, and already deep into his research, Shields wrote again and this time, to his delight, the answer came back: "O.K." For the next year--a year that ended up being Vonnegut's last--Shields had access to Vonnegut and his letters. And So It Goes is the culmination of five years of research and writing--the first-ever biography of the life of Kurt Vonnegut. Vonnegut resonates with readers of all generations from the baby boomers who grew up with him to high-school and college students who are discovering his work for the first time. Vonnegut's concise collection of personal essays,Man Without a Country, published in 2006, spent fifteen weeks on theNew York Times bestseller list and has sold more than 300,000 copies to date. The twenty-first century has seen interest in and scholarship about Vonnegut's works grow even stronger, and this is the first book to examine in full the life of one of the most influential iconoclasts of his time.

He was a Merlin among Men of Letters. Open any Kurt Vonnegut book and the words come to life in rapport with the reader like broomsticks enthralled by a book of spells.How did he do it? Through early drafts of projects like Breakfast of Champions, Slaughterhouse 5 and Harrison Bergeron, sensationally different from the published stories, Gary McMahon peers over the shoulder of a man without a country and an American institution. We get to see the original manuscripts and spend time with the complete works, from Player Piano to Armageddon in Retrospect, including a rare comparison of Vonnegut's journalism with peers like Hunter S. Thompson and Tom Wolfe.

A loving, intimate memoir from a lifelong friend of Kurt Vonnegut, including photos and never-before-published correspondence When Kurt Vonnegut, Jr. ducked into his classroom at the Iowa Writer's Workshop in September of 1965, his jokes drew only weak laughter and a few rolled eyes. But workshop student Loree Rackstraw was quietly impressed by this "great bear of a man" and his down-to-earth sensibilities about writing. That fall, an impossible romance began between the then-unknown author and his student--a brief affair that matured into a joyful, lifelong friendship. Rackstraw distills four decades of memories and Vonnegut's letters to her into an affectionate memoir that crackles with the creative energy of one of America's most beloved writers. Rackstraw's unique perspective on Vonnegut's life and how it shaped his famous works portrays a deeply humane man who looked for the humor and absurdity in life in order to survive. And then there are Vonnegut's own letters: Whether energetic about new projects or frustrated with the "game" of writing and selling "a gazoolian copies," Vonnegut writes with the playful imagination and generous, accessible brilliance that have always been his trademarks.  

Gregory Sumner guides readers, with insight and passion, through a biography of 15 of Kurt Vonnegut's best known works. He gives readers a poignant portrait of Vonnegut and his resistance to celebrating the traditional values associated with the American Dream: grandiose ambition, unbridled material success and individualism. Instead of a celebration of these values, readers share Vonnegut's outrage, his broken-hearted empathy for those who struggle under the ethos of survival-of-the-fittest in the frontier mentality.

Written by Vonnegut's friend and chief advocate in the academy, this title offers a definitive look at the writer's and nation's mutual influence. Kurt Vonnegut's death on April 11, 2007, marked the passing of a major force in American life and letters. Jerome Klinkowitz, one of the earliest and most prolific authorities on Vonnegut, examines the long dialogue between the author and American culture - a conversation that produced fourteen novels and hundreds of short stories and essays. Spanning Vonnegut's half-century literary career, ""Kurt Vonnegut's America"" integrates discussion of the fiction, essays, and lectures with personal exchanges and biographical sketches to map the complex symbiotic relationship between Vonnegut's work and the cultural context from which it emerged - and which it in turn helped shape. Following an introduction characterizing Vonnegut as Klinkowitz came to know him over the course of their friendship, this study traces Vonnegut's career, decade by decade, drawing connections between the nation's preoccupations, the author's biography, and his literary productions. Vonnegut's 1950s saw him starting out as a short story writer, using his training in anthropology and experience in journalism and public relations to offer comic insights on middle-class behaviors. In the 1960s the author produced a series of darkly humorous novels rooted in the sense of apocalypse he'd experienced as a prisoner of war during the destruction of Dresden, Germany. Vonnegut's rising fame made him a public figure by 1970, with his novels and increasingly prominent essays serving as commentaries on the trends and patterns of these changing times. By the 1980s Vonnegut was sufficiently comfortable with his celebrity status to offer broader perspectives in his work, including his take on human evolution and artistic development. The 1990s found Vonnegut writing the strongest fiction and commentary of his career, melding them into a masterpiece, Timequake, the virtual autobiography of a novel. ""Kurt Vonnegut's America"" charts the impact of Vonnegut on American society and of that society on Vonnegut over more than a half-century to illustrate how each informed the other. Among his artistic peers, Vonnegut was uniquely gifted at anticipating and articulating the changing course of American culture. Far from being ""A Man without a Country"", as his last book was titled, Vonnegut achieved greatness by passing his own test - opening the eyes of his audience to help them better understand their roles and possibilities in the common culture they both shared and crafted.

Biographical details of Vonnegut's life are intertwined with an examination of each of his works.

This book contains original essays about Vonnegut's life from childhood until 1977.