Transgender Resources

After hearing that her boyfriend/pimp cheated on her while she was in jail, a transgender sex worker and her best friend set out to find him and teach him and his new lover a lesson.

A woman's life is thrown into turmoil following the death of her partner. Mourning the loss of the man she loved, she finds herself under intense scrutiny from those with no regard for her privacy.

A transgender man goes through an emotional roller-coaster over a 24-hour period in New York City. Available to stream on Netflix.

Leitis In Waiting is the story of Joey Mataele and the Tonga Leitis, an intrepid group of transgender women fighting a rising tide of religious fundamentalism in their highly religious and conservative South Pacific Kingdom. With unexpected humor and extraordinary access to the Kingdom's royals and religious leaders, this emotional journey reveals what it means to be different in a society ruled by tradition, and the challenge of being yourself without forsaking culture and tradition.

Gaysians is an exploration of family, immigration and language through the voices of five queer and trans Asian-Americans from New York City. The subjects share stories about their families, and in doing so, shed light on the complicated histories that have shaped these intimate and personal relationships. This moving short is an illuminating patchwork documentary exploring family and culture through the personal stories of a diverse panoply of LGBTQ individuals.

This film is available to rent on YouTube and Vimeo.
Transfinite is a sci-fi omnibus feature film composed of seven standalone short stories where supernatural trans and queer people from various cultures use their powers to protect, love, teach, fight and thrive.

This film is available to rent on Prime Video. A look at the early life of D'Lo: a queer, transgender, Tamil Sir Lankan American writer, actor, director, comedian, activist and music producer who grew up in Lancaster, CA.

Transgender teen Alice wants to land her first kiss but wants to be accepted for who she is at high school before getting the kiss. Available to rent on Apple TV.

Funeral Parade of Roses (薔薇の葬列, Bara no Sōretsu) is a 1969 Japanese drama art film loosely adapted from Oedipus Rex and set in the underground gay culture of 1960s Tokyo. It stars Peter as the protagonist, a young transgender woman, and features Osamu Ogasawara, Yoshio Tsuchiya and Emiko Azuma. A product of the Japanese New Wave, the film combines elements of arthouse, documentary and experimental cinema, and is thought to have influenced Stanley Kubrick's 1971 film adaptation of Anthony Burgess' novel A Clockwork Orange. Available on Internet Archive.

A troubled but well-intentioned father who has recently separated from his wife runs off with his trans son into the Montana wilderness after his ex-wife's refusal to let their son live as his authentic self. Available to stream on Hulu.

Ma vie en rose (My Life in Pink) is a Franco-Belgian drama film directed by Alain Berliner. It tells the story of Ludovic, a transgender girl, and depicts her family and community struggling to accept her gender identity. Available to stream on Tubi for free.

After discovering case files from a 1950s gender clinic, a cast of trans actors turn a talk show inside out to confront the legacy of a young trans woman forced to choose between honesty and access.

Documentary following four Black transgender sex workers, who break down the walls of their profession. Holding nothing back, the film vibrates with energy, sex, challenge and hard-earned wisdom. Available to stream on Showtime.

The story of Punk rock singer Laura Jane Grace of Against Me! who came out as a woman in 2012, and other members of the trans community whose experiences are woefully underrepresented and misunderstood in the media.

A selection of documentaries by My Genderation. Available to watch on YouTube.

This documentary picks up where "Further Off the Straight and Narrow" left off in 2006. Our digitally connected world circulates mainstream and independent queer and trans television through both official and informal networks. Yet queer and trans television is facing cultural challenges to the presence of LGBTQ in our media, our schools, athletics, and public space. And as distribution channels are moving from niche to mass audiences once again, we cannot take for granted that distinctive LGBTQ characters and plotlines will be a taken-for-granted staple of our television universe. Available to stream on Kanopy.

After presenting as a man for nearly 60 years, Laerte Coutinho, one of Brazil's most brilliant cartoonists, introduces herself to the world as a woman in this 2017 Brazilian documentary. Laerte is most well known for her Piratas do Tietê comic book series, as well as Los Três Amigos, a collaborative comic strip she worked on as part of the underground comics scene of the ’80s. Available to stream on Netflix.

Robert Eads is a 52-year-old wise-cracking cowboy who was born female and transitioned into living as a man after bearing two sons. Fifteen years later, he has fallen in love with Lola Cola, a vivacious and magnetic woman who was born male. Together they are coping with Robert's terminal case of ovarian cancer.

Parents hire a lawyer to pursue a civil rights case of discrimination when the school bans their 6-year-old transgender daughter from using the girls' bathroom.

"Passing" examines experiences of racism and sexism today, through the eyes of 3 transmen of colour. Free to watch on Vimeo.

Leitis In Waiting is the story of Joey Mataele and the Tonga Leitis, an intrepid group of transgender women fighting a rising tide of religious fundamentalism in their highly religious and conservative South Pacific Kingdom. With unexpected humor and extraordinary access to the Kingdom's royals and religious leaders, this emotional journey reveals what it means to be different in a society ruled by tradition, and the challenge of being yourself without forsaking culture and tradition.

One From the Vaults, a trans history podcast by Morgan M Page. We bring you all the dirt, gossip, and glamour from trans history! Available to listen to on SoundCloud.

Transgeneral is a weekly podcast covering a range of topics with guest speakers from our community. Hosted by two trans women: Chelsey and Charlotte. Available to listen to on Spotify.

The GenderGP Podcast is a series of interviews and discussions hosted by GenderGP Founder, Dr. Helen Webberley and GenderGP Lead Therapist, Marianne Oakes, covering all aspects of life as a member of the trans community. Chatting with experts, healthcare professionals, influencers and most importantly, transgender people themselves, the GenderGP Podcast aims to provide information, insight and inspiration to those on their own gender journey. It also aims to be a valuable source of information for family, friends, and anyone looking to understand more about this wonderfully diverse community.

How can a search for self‑knowledge reveal art as a site of community? Yanyi's arresting and straightforward poems weave experiences of immigration as a Chinese American, of racism, of mental wellness, and of gender from a queer and trans perspective. Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life.   These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi's poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.

"Some girls are not made," torrin a. greathouse writes, "but spring from the dirt." Guided by a devastatingly precise hand, Wound from the Mouth of a Wound--selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry--challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates "buckteeth & ulcer." She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse's poetry demands more of language and those who wield it. "I'm still learning not to let a stranger speak / me into a funeral." Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse--elegant, vicious, "a one-girl armageddon" draped in crushed velvet--teaches us that fragility is not synonymous with flaw.

In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.

Whiting Award winner Kayleb Rae Candrilli's second full-length book, All the Gay Saints, is a collection of trans joy and resilience. Focused on love, partnership, and cultivating the landscape of one's own body, All the Gay Saints seeks happiness in a world saturated with transphobia and marred by climate change. Though this world is finite, these poems want you to live forever. They will unbarb your body if you let them.

Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality--the dangers experienced in skin and body and blood--and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, "some of us all at once."Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America--"Dear White America"--where every day is too often a funeral and not often enough a miracle.

Set against the media environment that saturates even our most intimate spaces, Dispatch attends to, revises, and thinks adjacent to the news of racial/gendered violence in the US, from the nineteenth century to the present day. These poems ask: What kind of revisions will make this a world/a story that is concerned with my people's flourishing? How ought I pay attention, how to register perpetual bad news without letting it fatally intrude? Cameron Awkward-Rich is among the most bracing voices to emerge in recent years, a dazzling exemplar of poetry's (and humanity's) possibilities.

"Written from and with death, the poems in Advantages of Being Evergreen offer elegies; they utter prayers that ask our dead to stay; they come as breath constrained and animated by a form that narrates an excess of natures, an excess of rivers that interrupt this book as the poet ponders the impossible question of what it means to be home. Here the body is a shared condition. The body is language. It changes. It resists. It mourns. It reincarnates with the 'teeth of our dead around our neck.'" -Daniel Borzutzky

From the celebrated author of feeld comes a formally commanding third collection, dexterously recounting the survival of a period suffused with mourning. Jos Charles's poems communicate with one another as neurons do: sharp, charged, in language that predates language. "A scandal / three cartons red / in a hedge / in / each the thousand eye research of flies." With acute lyricism, she documents how a person endures seemingly relentless devastation--California wildfires, despotic legislation, housing insecurity--amid illusions of safety. "I wanted to believe," Charles declares, "a corner a print leaned to / a corner can save / a people." Still the house falls apart. Death visits and lingers. Belief proves, again and again, that belief alone is not enough. Yet miraculously, one might still manage to seek--propelled by love, or hope, or sometimes only momentum--something better. There is a place where there are no futile longings, no persistent institutional threats to one's life. Poems might take us there; tenderness, too, as long as we can manage to keep moving. "A current / gives as much as it has," writes Charles--despite fire, despite loss.

A love letter to Brown, Queer, and Trans futures, Kay Ulanday Barrett's More Than Organs questions "whatever wholeness means" for bodies always in transit, for the safeties and dangers they silo. These poems remix people of color as earthbenders, replay "the choreography of loss" after the 2015 Pulse shooting, and till joy from the cosmic sweetness of a family's culinary history. Barrett works "to build / a shelter // of / everyone / they] meet," from aunties to the legendary Princess Urduja to their favorite air sign. More Than Organs tattoos grief across the knuckles of its left hand and love across the knuckles of its right, leaving the reader physically changed by the intensity of experience, longing, strength, desire, and the need, above all else, to survive.

An eloquent, restless, and enlightening memoir by one of the most thought-provoking journalists today about growing up Black and queer in America, reuniting with the past, and coming of age their own way. One of nineteen children in a blended family, Hari Ziyad was raised by a Hindu Hare Kṛṣṇa mother and a Muslim father. Through reframing their own coming-of-age story, Ziyad takes readers on a powerful journey of growing up queer and Black in Cleveland, Ohio, and of navigating the equally complex path toward finding their true self in New York City. Exploring childhood, gender, race, and the trust that is built, broken, and repaired through generations, Ziyad investigates what it means to live beyond the limited narratives Black children are given and challenges the irreconcilable binaries that restrict them. Heartwarming and heart-wrenching, radical and reflective, Hari Ziyad's vital memoir is for the outcast, the unheard, the unborn, and the dead. It offers us a new way to think about survival and the necessary disruption of social norms. It looks back in tenderness as well as justified rage, forces us to address where we are now, and, born out of hope, illuminates the possibilities for the future.

At once a love letter and challenge to the traditional transgender memoir, Fierce Femmes and Notorious Liars is a playful, surrealist dance through queer coming of age. A haunted young girl (who happens to be a kung-fu expert and pathological liar) runs away from an oppressive city, where the sky is always grey, in search of love and sisterhood—and finds herself in a magical place known only as the Street of Miracles. There, she is quickly adopted into a vigilante gang of glamorous warrior femmes called the Lipstick Lacerators, whose mission is to scour the Street of violent men and avenge murdered trans women everywhere. But when disaster strikes, can our intrepid heroine find the truth within herself in order to protect her new family and heal her broken heart?

Krys Malcolm Belc's visual memoir-in-essays explores how the experience of gestational parenthood--conceiving, birthing, and breastfeeding his son Samson--eventually clarified his gender identity. Krys Malcolm Belc has thought a lot about the interplay between parenthood and gender. As a nonbinary, transmasculine parent, giving birth to his son Samson clarified his gender identity. And yet, when his partner, Anna, adopted Samson, the legal documents listed Belc as "the natural mother of the child." By considering how the experiences contained under the umbrella of "motherhood" don't fully align with Belc's own experience, The Natural Mother of the Child journeys both toward and through common perceptions of what it means to have a body and how that body can influence the perception of a family. The Natural Mother of the Child is the story of a person moving past societal expectations to take control of his own narrative, with prose that delights in the intimate dailiness of family life and explores how much we can ever really know when we enter into parenting.

Toxic masculinity takes many insidious forms, from misogyny and sexual harassment to homophobia, transphobia, and bullying. Vivek Shraya has first-hand experience with nearly all of them. As a transwomen she grew up experiencing aggression for displaying femininity, and is haunted by the violence of men. I'm Afraid of Men is a culmination of the years Vivek spent observing men and creating her own version of manhood. Through deeply personal reflection, she offers a rare and multifaceted perspective on gender and a hopeful reimagining of masculinity at a time when it's needed more than ever.

Through revisiting their childhood and calling out the stereotypes that each of us have faced, Jacob Tobia invites us to rethink what we know about gender and offers a blueprint for a world free from gender-based trauma. Sissy takes you on a gender odyssey you won't soon forget. Writing with the fierce honesty, wildly irreverent humour, and wrenching vulnerability that have made them a media sensation, Jacob shatters the long-held notion that people are easily sortable into men and women and guarantees that you'll never think about gender - both other people's and your own - the same way again.

Instead of a traditional written diary, Julia Kaye has always turned to art as a means of self-reflection. So when she began her gender transition in 2016, she decided to use her popular webcomic, Up and Out, to process her journey and help others with similar struggles realize they weren't alone.   Julia's poignant, relatable comics honestly depict her personal ups and downs while dealing with the various issues involved in transitioning--from struggling with self-acceptance and challenging societal expectations, to moments of self-love and joy. Super Late Bloomer both educates and inspires, as Julia faces her difficulties head-on and commits to being wholly, authentically who she was always meant to be.  

An unflinching and endearing memoir from LGBTQ+ advocate Jackson Bird about how he finally sorted things out and came out as a transgender man. When Jackson Bird was twenty-five, he came out as transgender to his friends, family, and anyone in the world with an internet connection. Growing up in Texas in the 1990s, he had no transgender role models. He barely remembers meeting anyone who was openly gay, let alone being taught that transgender people existed outside of punchlines. Illuminated by journal entries spanning childhood to adolescence to today, he candidly recalls the challenges and loneliness he endured as he came to terms with both his gender and his bisexual identity. With warmth and wit, Jackson also recounts how he navigated the many obstacles and quirks of his transition--like figuring out how to have a chest binder delivered to his NYU dorm room and having an emotional breakdown at a Harry Potter fan convention. From his first shot of testosterone to his eventual top surgery, Jackson lets you in on every part of his journey--taking the time to explain trans terminology and little-known facts about gender and identity along the way.

What does it really mean to be a man? In Man Alive, Thomas Page McBee attempts to answer that question by focusing on two of the men who most impacted his life&mash;one, his otherwise ordinary father who abused him as a child, and the other, a mugger who almost killed him. Standing at the brink of the life-changing decision to transition from female to male, McBee seeks to understand these examples of flawed manhood and tells us how a brush with violence sent him on the quest to untangle a sinister past, and freed him to become the man he was meant to be. Man Alive engages an extraordinary personal story to tell a universal one--how we all struggle to create ourselves, and how this struggle often requires risks. Far from a transgender transition tell-all, Man Alive grapples with the larger questions of legacy and forgiveness, love and violence, agency and invisibility.

A singular, beautifully written coming-of-age memoir of a Filipino boy with albinism whose story travels from an immigrant childhood to Harvard to a gender transition and illuminates the illusions of race, disability, and gender. Fairest is a memoir about a precocious boy with albinism, a "sun child" from a rural Philippine village, who would grow up to become a woman in America. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate through the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender. Talusan realized she did not want to be confined to a prescribed role as a man, and transitioned to become a woman, despite the risk of losing a man she deeply loved. Throughout her journey, Talusan shares poignant and powerful episodes of desirability and love that will remind readers of works such as Call Me By Your Name and Giovanni's Room. Her evocative reflections will shift our own perceptions of love, identity, gender, and the fairness of life.

In 2011, Marie Claire magazine published a profile of Janet Mock in which she publicly stepped forward for the first time as a trans woman. Since then, Mock has gone from covering the red carpet for People.com to advocating for all those who live within the shadows of society. Redefining Realness offers a bold new perspective on being young, multiracial, economically challenged and transgender in America.

Pass with Care is a testament to trans resilience, queer joy, and the power of finding freedom and adventure within a community of your own creation. In this stunning debut memoir-in-essays, transgender writer, artist, and activist Cooper Lee Bombardier shifts effortlessly between lyrical essays, poetry, and narrative nonfiction as his own landscape changes over the course of two decades. From working-class New England to the queer punk scene of early '90s-San Francisco to New Mexico's deserts, Bombardier documents his experiences with compassion and reverence, offering us an expansive view of gender and sexuality, masculinity and tenderness, and the difference between surviving and thriving. Pass with Care: Memoirs is a necessary and important glimpse into a living trans history as Bombardier explores how much the world has changed and made room for trans people.

Two-Spirit people, identified by many different tribally specific names and standings within their communities, have been living, loving, and creating art since time immemorial. It wasn't until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book's publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people.

A collection of sixteen unique and honest conversations you won't read anywhere else...Mixed-race queer art activist Nia King left a full-time job in an effort to center her life around making art. Grappling with questions of purpose, survival, and compromise, she started a podcast called We Want the Airwaves in order to pick the brains of fellow queer and trans artists of color about their work, their lives, and "making it" - both in terms of success and in terms of survival. In this collection of interviews, Nia discusses fat burlesque with Magnoliah Black, queer fashion with Kiam Marcelo Junio, interning at Playboy with Janet Mock, dating gay Latino Republicans with Julio Salgado, intellectual hazing with Kortney Ryan Ziegler, gay gentrification with Van Binfa, getting a book deal with Virgie Tovar, the politics of black drag with Micia Mosely, evading deportation with Yosimar Reyes, weird science with Ryka Aoki, gay public sex in Africa with Nick Mwaluko, thin privilege with Fabian Romero, the tyranny of "self-care" with Lovemme Corazón, "selling out" with Miss Persia and Daddie$ Pla$tik, the self-employed art activist hustle with Leah Lakshmi Piepzna-Samarsinha, and much, much more. Welcome to the future of QPOC art activism.

Inquisitive and expansive, Like a Boy but Not a Boy explores author andrea bennett's experiences with gender expectations, being a non-binary parent, and the sometimes funny and sometimes difficult task of living in a body. The book's fourteen essays also delve incisively into the interconnected themes of mental illness, mortality, creative work, and class, With the same poignant spirit as Ivan Coyote's Tomboy Survival Guide, Like a Boy addresses the struggle to find acceptance, and to accept oneself; and how one can find one's place while learning to make space for others.

Raised in southeast Ohio, Stacy Jane Grover would not describe her upbringing as "Appalachian." Appalachia existed farther afield--more rural, more country than the landscape of her hometown. Grover returned to the places of her childhood to reconcile her identity and experience with the culture and the people who had raised her. She began to reflect on her memories and discovered that group identities like Appalachian and transgender are linked by more than just the stinging brand of social otherness. In Tar Hollow Trans, Grover explores her transgender experience through common Appalachian cultural traditions. In "Dead Furrows," a death vigil and funeral leads to an investigation of Appalachian funerary rituals and their failure to help Grover cope with the grief of being denied her transness.

What happens when your gender doesn't fit neatly into the categories of male or female? Even mundane interactions like filling out a form or using a public bathroom can be a struggle when these designations prove inadequate. In this groundbreaking book, thirty authors highlight how our experiences are shaped by a deeply entrenched gender binary. The powerful first-person narratives of this collection show us a world where gender exists along a spectrum, a web, a multidimensional space. From Suzi, who wonders whether she'll ever "feel" like a woman after living fifty years as a man, to Aubri, who grew up in a cash-strapped fundamentalist household, to Sand, who must reconcile the dual roles of trans advocate and therapist, the writers' conceptions of gender are inextricably intertwined with broader systemic issues.

Ivan E. Coyote and Rae Spoon are accomplished, award-winning writers, musicians, and performers; they are also both admitted "gender failures." In their first collaborative book, Ivan and Rae explore and expose their failed attempts at fitting into the gender binary, and how ultimately our expectations and assumptions around traditional gender roles fail us all. Based on their acclaimed 2012 live show that toured across Canada and the US and in Europe, Gender Failure is a poignant collection of autobiographical essays, lyrics, and images documenting Ivan and Rae's personal journeys from gender failure to gender self-acceptance. Equal parts hilarious and heartbreaking, it's a book that will touch LGBTQ readers and others, revealing, with candor and insight, that gender comes in more than two sizes.

In their new, long-awaited collection of essays, Lambda Literary Award-winning writer and longtime disability justice activist and performance artist Leah Lakshmi Piepzna-Samarasinha explores the politics and realities of disability justice, a movement that centres the lives and leadership of sick and disabled queer, trans, Black, and brown people, with knowledge and gifts for all. Leah writes passionately and personally about creating spaces by and for sick and disabled queer people of colour, and creative "collective access" -- access not as a chore but as a collective responsibility and pleasure -- in our communities and political movements. Care Work is a mapping of access as radical love, a celebration of the work that sick and disabled queer/people of colour are doing to find each other and to build power and community, and a toolkit for everyone who wants to build radically resilient, sustainable communities of liberation where no one is left behind.

What can we hope for at the end of the world? What can we trust in when community has broken our hearts? What would it mean to pursue justice without violence? How can we love in the absence of faith? In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, acclaimed poet and essayist Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness. Taking its cues from contemporary thought leaders in the transformative justice movement such as adrienne maree brown and Leah Lakshmi Piepzna-Samarasinha, this provocative book is a call for nuance in a time of political polarization, for healing in a time of justice, and for love in an apocalypse.

Daniel M. Lavery is known for blending genres, forms, and sources to develop fascinating new hybrids--from lyric rants to horror recipes to pornographic scripture. In his most personal work to date, he turns his attention to the essay, offering vigorous and laugh-out-loud funny accounts of both popular and highbrow culture while mixing in meditations on gender transition, family dynamics, and the many meanings of faith. From a thoughtful analysis of the beauty of William Shatner to a sinister reimagining of HGTV's House Hunters, and featuring figures as varied as Anne of Green Gables, Columbo, Nora Ephron, Apollo, and the cast of Mean Girls, Something That May Shock and Discredit You is a hilarious and emotionally exhilarating compendium that combines personal history with cultural history to make you see yourself and those around you entirely anew. It further establishes Lavery as one of the most innovative and engaging voices of his generation--and it may just change the way you think about Lord Byron forever.

Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real and imagined queer and trans communities. In their own words, queer and trans organizers, artists, healers, comrades, and leaders speak honestly and authentically about their own experiences with power, love, pain, and magic to create a textured and nuanced portrait of queer and trans realities in America. Accompanying the narratives are Rose's startling and sinuous images that brings these leaders' words to visual life. Our Work Is Everywhere is a graphic nonfiction book that underscores the brilliance and passion of queer and trans resistance.

Outside the XY: Queer Black and Brown Masculinity is an anthology of more than 50 stories, memories, poems, ideas, essays and letters--all examining what it looks like, feels like, and is like to inhabit masculinity outside of cisgendered manhood as people of color in the world. Read these passionate, complex autobiographical glimpses into the many layers of identity as the authors offer olive branches to old and new lovers. This anthology is designed to be uplifting, as it considers and explores our masculine identities as non cis-gendered males, or those traditionally born with the "XY" chromosome. It is a radical act of self-love and affirmation. Outside the XY is a labor of love.

There is no one way to be transgender.Trans Bodies, Trans Selves is a revolutionary resource - a comprehensive, reader-friendly guide for transgender people, with each chapter written by transgender and gender expansive authors. Inspired by Our Bodies, Ourselves, the classic and powerful compendium written by and for cisgender women,Trans Bodies, Trans Selves is widely accessible to the transgender population, providing authoritative information in an inclusive and respectful way and representing the collective knowledge base of dozens of influential experts. In this unique way, hundreds of viewpoints from throughout the community have united to create this strong and pioneering book. It is a welcoming place for transgender and gender-questioning people, their partners and families, students, professors, guidance counselors, and others to look for up-to-date information on transgender life.

Essays, conversations, and archival investigations explore the paradoxes, limitations, and social ramifications of trans representation within contemporary culture. The increasing representation of trans identity throughout art and popular culture in recent years has been nothing if not paradoxical. Trans visibility is touted as a sign of a liberal society, but it has coincided with a political moment marked both by heightened violence against trans people (especially trans women of color) and by the suppression of trans rights under civil law. Trap Door grapples with these contradictions. The essays, conversations, and dossiers gathered here delve into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered "doors"--entrances to visibility and recognition--that are actually "traps," accommodating trans bodies and communities only insofar as they cooperate with dominant norms. The volume speculates about a third term, perhaps uniquely suited for our time: the trapdoor, neither entrance nor exit, but a secret passageway leading elsewhere.

Representations of older transgender people are nearly absent from our culture and those that do exist are often one-dimensional. For over five years, photographer Jess T. Dugan and social worker Vanessa Fabbre travelled throughout the United States creating To Survive on this Shore: Photographs and Interviews with Transgender and Gender Non-Conforming Older Adults. The resulting monograph provides a nuanced view into the struggles and joys of growing older as a transgender person and offers a poignant reflection on what it means to live authentically despite seemingly insurmountable odds.

Dedicated to trans women everywhere, this inspirational collection of letters written by successful trans women shares the lessons they learnt on their journeys to womanhood, celebrating their achievements and empowering the next generation to become who they truly are. Written by politicians, scientists, models, athletes, authors, actors, and activists from around the world, these letters capture the diversity of the trans experience and offer advice from make-up and dating through to fighting dysphoria and transphobia. By turns honest and heartfelt, funny and furious or beautiful and brave, these letters send a clear message of hope to their sisters: each of these women have gone through the struggles of transition and emerged the other side as accomplished, confident women; and if we made it sister, so can you!

The story of Christine Jorgensen, America's first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives--ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence. Drawing on a deep and varied archive of materials--early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films--Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the "father of American gynecology," to the negation of blackness that makes transnormativity possible.

Gender Outlaw is the work of a woman who has been through some changes—a former heterosexual male, a one-time Scientologist and IBM salesperson, now a lesbian woman writer and actress who makes regular rounds on the TV (so to speak) talk shows. In her book, Bornstein covers the "mechanics" of her surgery, everything you've always wanted to know about gender (but were too confused to ask) addresses the place and politics of the transgendered and interrogates the questions of those who give the subject little thought, creating questions of her own.

In the first of eight volumes, readers are introduced to fifth graders Shuichi Nitori and his new friend Yoshino Takatsuki. They have happy homes, loving families, and are well liked by their classmates. But they share a secretthat further complicates the already-complicated verge of puberty: Shuichi is a boy who wants to be a girl, and Yoshino is a girl who wants to be a boy. Wandering Son: Book One is written and drawn by one of today's most critically acclaimed creators of manga, Shimura, who portrays Shuishi and Yoshino's very private journey with affection, gentle humor, and unmistakable grace.

When you're sixteen and no one understands who you are, sometimes the only choice left is to run. If you're lucky, you find a place that accepts you, no questions asked. And if you're really lucky, that place has a drum set, a place to practice, and a place to sleep. For Kid, the streets of Greenpoint, Brooklyn, are that place. Over the course of two scorching summers, Kid falls hopelessly in love and then loses nearly everything and everyone worth caring about. But as summer draws to a close, Kid finally finds someone who can last beyond the sunset.

"This is Beautiful Music for Ugly Children, on community radio 90.3, KZUK. I'm Gabe. Welcome to my show." My birth name is Elizabeth, but I'm a guy. Gabe. My parents think I've gone crazy and the rest of the world is happy to agree with them, but I know I'm right. I've been a boy my whole life. When you think about it, I'm like a record. Elizabeth is my A side, the song everybody knows, and Gabe is my B side--not heard as often, but just as good. It's time to let my B side play.

Amanda Hardy is the new girl in school. Like anyone else, all she wants is to make friends and fit in. But Amanda is keeping a secret, and she's determined not to get too close to anyone. But when she meets sweet, easygoing Grant, Amanda can't help but start to let him into her life. As they spend more time together, she realizes just how much she is losing by guarding her heart. She finds herself yearning to share with Grant everything about herself, including her past. But Amanda's terrified that once she tells him the truth, he won't be able to see past it. Because the secret that Amanda's been keeping? It's that at her old school, she used to be Andrew. Will the truth cost Amanda her new life, and her new love?

To everyone who knows them, best friends Miel and Samir are as strange as they are inseparable. Roses grow out of Miel's wrist, and rumors say that she spilled out of a water tower when she was five. Samir is known for the moons he paints and hangs in the trees and for how little anyone knows about his life before he and his mother moved to town. As odd as everyone considers Miel and Samir, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches. But now the sisters want the roses that grow from Miel's skin, convinced that their scent can make anyone fall in love. And they're willing to use every secret Miel has fought to protect to make sure she gives them up-- including Samir's past.

Pet is here to hunt a monster. Are you brave enough to look? There are no monsters anymore, or so the children in the city of Lucille are taught. Jam and her best friend, Redemption, have grown up with this lesson all their life. But when Jam meets Pet, a creature made of horns and colors and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster, and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend, but also to uncover the truth, and the answer to the question--How do you save the world from monsters if no one will admit they exist? A riveting and timely young adult debut novel that asks difficult questions about what choices you can make when the society around you is in denial.

Felix Love has never been in love--and, yes, he's painfully aware of the irony. He desperately wants to know what it's like and why it seems so easy for everyone but him to find someone. What's worse is that, even though he is proud of his identity, Felix also secretly fears that he's one marginalization too many--Black, queer, and transgender--to ever get his own happily-ever-after. When an anonymous student begins sending him transphobic messages--after publicly posting Felix's deadname alongside images of him before he transitioned--Felix comes up with a plan for revenge. What he didn't count on: his catfish scenario landing him in a quasi-love triangle...But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.

Yadriel has summoned a ghost, and now he can't get rid of him. When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death. He's determined to find out what happened and tie off some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave.

Transgender author Agnes Borinsky deftly explores gender identity and queer romance in this heart-wrenching debut novel. Alex feels like he is in the wrong body. His skin feels strange against his bones. And then comes Tracy, who thinks he's adorably awkward, who wants to kiss him, who makes him feel like a Real Boy. But it is not quite enough. Something is missing. As Alex grapples with his identity, he finds himself trying on dresses and swiping on lipstick in the quiet of his bedroom. He meets Andre, a gay boy who is beautiful and unafraid to be who he is. Slowly, Alex begins to realize: maybe his name isn't Alex at all. Maybe it's Sasha Masha.

Fifteen-year-old Spencer Harris is a proud nerd, an awesome big brother, and a David Beckham in training. He's also transgender. After transitioning at his old school leads to a year of isolation and bullying, Spencer gets a fresh start at Oakley, the most liberal private school in Ohio. At Oakley, Spencer seems to have it all: more accepting classmates, a decent shot at a starting position on the boys' soccer team, great new friends, and maybe even something more than friendship with one of his teammates. The problem is, no one at Oakley knows Spencer is trans--he's passing. But when a discriminatory law forces Spencer's coach to bench him, Spencer has to make a choice: cheer his team on from the sidelines or publicly fight for his right to play, even though it would mean coming out to everyone--including the guy he's falling for.

Sixteen-year-old trans boy Benji is on the run from the cult that raised him--the fundamentalist sect that unleashed Armageddon and decimated the world's population. Desperately, he searches for a place where the cult can't get their hands on him, or more importantly, on the bioweapon they infected him with. But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC's leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji's darkest secret: the cult's bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all. Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick's terms...until he discovers the ALC's mysterious leader has a hidden agenda, and more than a few secrets of his own.

On Mar León de la Rosa's sixteenth birthday, el Diablo comes calling. Mar is a transmasculine nonbinary teen pirate hiding a magical ability to manipulate fire and ice. But their magic isn't enough to reverse a wicked bargain made by their father, and now el Diablo has come to collect his payment: the soul of Mar's father and the entire crew of their ship. When Mar is miraculously rescued by the sole remaining pirate crew in the Caribbean, el Diablo returns to give them a choice: give up their soul to save their father by the harvest moon or never see him again.

Sixteen-year-old Bianca Torre is an avid birder undergoing a gender identity crisis and grappling with an ever-growing list of fears. Some, like Fear #6: Initiating Conversation, keep them constrained, forcing them to watch birds from the telescope in their bedroom. And, occasionally, their neighbors. When their gaze wanders to one particular window across the street, Bianca witnesses a creepy plague-masked murderer take their neighbor’s life. Worse, the death is ruled a suicide, forcing Bianca to make a choice—succumb to their long list of fears (including #3 Murder and #55 Breaking into a Dead Guy’s Apartment), or investigate what happened.

When Arden and Gabe have a chance meeting in the lobby of a motel in Nebraska, it feels like fate has stepped in. They're both trans and out. They're both huge fans of the band Damaged Pixie Dream Boi. Arden's an artist, and Gabe writes songs. Clearly, the universe is trying to tell them something. Right? But after an incredible evening of hanging out, the pair part ways only knowing the other's first name. But as both boys struggle to adjust to their new homes, they can't stop thinking about the connection they shared. Is one perfect night enough to bring Arden and Gabe back to each other?

When people look at Melissa, they think they see a boy named George. But she knows she's not a boy. She knows she's a girl. Melissa thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. Melissa really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part... because she's a boy. With the help of her best friend, Kelly, Melissa comes up with a plan. Not just so she can be Charlotte -- but so everyone can know who she is, once and for all.

This sweet and groundbreaking picture book, winner of the 2020 Stonewall Book Award, celebrates the changes in a transgender boy's life, from his initial coming-out to becoming a big brother. When Aidan was born, everyone thought he was a girl. His parents gave him a pretty name, his room looked like a girl's room, and he wore clothes that other girls liked wearing. After he realized he was a trans boy, Aidan and his parents fixed the parts of life that didn't fit anymore, and he settled happily into his new life. Then Mom and Dad announce that they're going to have another baby, and Aidan wants to do everything he can to make things right for his new sibling from the beginning--from choosing the perfect name to creating a beautiful room to picking out the cutest onesie. With a little help, Aidan comes to understand that mistakes can be fixed with honesty and communication, and that he already knows the most important thing about being a big brother: how to love with his whole self.

A picture book that introduces the concept of gender identity to the youngest reader from writer Theresa Thorn and illustrator Noah Grigni. Some people are boys. Some people are girls. Some people are both, neither, or somewhere in between. This sweet, straightforward exploration of gender identity will give children a fuller understanding of themselves and others. With child-friendly language and vibrant art, It Feels Good to Be Yourself provides young readers and parents alike with the vocabulary to discuss this important topic with sensitivity.

Daisy's older brother is thrilled when he gets a new sibling. They are best buddies who do everything together. But in kindergarten, things change. His sibling tells him she is a girl and wants to be called Daisy. Daisy's brother must adjust to the change--including what it means for him and their relationship. A powerful, moving picture book based on a true story, My Sister, Daisy handles a sensitive subject with warmth and love.

Red has a bright red label, but he is, in fact, blue. His teacher tries to help him be red (let's draw strawberries!), his mother tries to help him be red by sending him out on a playdate with a yellow classmate (go draw a nice orange!), and the scissors try to help him be red by snipping his label so that he has room to breathe. But Red is miserable. He just can't be red, no matter how hard he tries! Finally, a brand-new friend offers a brand-new perspective, and Red discovers what readers have known all along. He's blue! Funny, insightful, layered, and colorful, the new picture book by Michael Hall is about being true to your inner self and following your own path.

Introducing Teddy introduces the youngest readers to understanding gender identity and transition in an accessible and heart-warming story about being true to yourself and being a good friend. Errol and his teddy, Thomas, are best friends who do everything together. Whether it's riding a bike, playing in the tree house, having a tea party, or all of the above, every day holds something fun to do. One sunny day, Errol finds that Thomas is sad, even when they are playing in their favorite ways. Errol can't figure out why, until Thomas finally tells Errol what the teddy has been afraid to say: "In my heart, I've always known that I'm a girl teddy, not a boy teddy. I wish my name was Tilly, not Thomas." And Errol says, "I don't care if you're a girl teddy or a boy teddy! What matters is that you are my friend."

Jacob loves playing dress-up, when he can be anything he wants to be. Some kids at school say he can't wear "girl" clothes, but Jacob wants to wear a dress to school. Can he convince his parents to let him wear what he wants? This heartwarming story speaks to the unique challenges faced by children who don't identify with traditional gender roles.