Editor as Author
If your book only has an editor, the editor's name begins the citation, and the "ed." establishes the editor role.
F:
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1. Lynne Jarman, ed., Canadian Music: A Selected Checklist 1950-73 (Toronto: University of Toronto Press, 1976), 137-39.
2. Roberta Gottesman and Catherine Sentman, eds., The Music Lover's Guide to Europe: A Compendium of Festivals, Concerts, and Opera (New York: John Wiley & Sons, 1992), 33-34.
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B: |
Jarman, Lynne, ed. Canadian Music: A Selected Checklist 1950-73. Toronto: University of Toronto Press, 1976.
Gottesman, Roberta, and Catherine Sentman, eds. The Music Lover's Guide to Europe: A Compendium of Festivals, Concerts, and Opera. New York: John Wiley & Sons, 1992.
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- If there are multiple editors, use "eds."
- For a translator, use "trans." For an arranger, use "arr."
Editor and Author
If your book has both an author and an editor, you must cite both.
The author comes first, and the editor comes after the title.
Note that "translated" is fully spelled out in the bibliographic (B) citation.
F:
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1. Marin Mersenne, Harmonie Universelle: The Books on Instruments, trans. Roger E. Chapman (The Hague: Martinus Nijhoff, 1957), 130.
2. Willi Apel, The History of Keyboard Music To 1700, trans. and rev. Hans Tischler (Bloomington: Indiana University Press, 1972), 116–17.
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B:
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Mersenne, Marin. Harmonie Universelle: The Books on Instruments. Translated by Roger E. Chapman. The Hague: Martinus Nijhoff, 1957.
Apel, Willi. The History of Keyboard Music to 1700. Translated and revised by Hans Tischler. Bloomington: Indiana University Press, 1972.
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