Gender Studies

Includes films across all art forms: from performing to performance, from music to electronic media, from physical to spiritual, from visual arts to photography, fashion and later included philosophy and religion, gastronomy, history and politics and psychology.

Online collection of 500 hours of video from 18 years of broadcasts. Each news segment within the collection serves as a standalone short documentary on a specific news topic. Also includes 175 hours of bonus segments from the CBS News program Sunday Morning.

Historical coverage in the collection ranges from the early history of Native Americans, to the lost colony of Roanoke, to the 1988 Vicennes Affair in the Persian Gulf. Biographical coverage ranges from eighteenth century figures such as Benedict Arnold and Daniel Boone to modern day figures such as Thurgood Marshall and Helen Thomas. You may sign in to create, edit and share playlists or clips.

Highlights include: “We Will Rise: Michelle Obama's Mission to Educate Girls Around the World;” an interview series with female leaders including Beyonce, Sheryl Sandberg, Oprah, Tina Brown, Michelle Wie, Nancy Pelosi; series like “Future Finance”, “Passion to Portfolio”, “Eco Solutions;" specials on human trafficking, global poverty, and other human rights issues around the world; features on global cities, travel, world cultures, religion, food, and lifestyles outside the western hemisphere.

Documentaries covering the scope and complexity of the human experience.

Covers Renaissance, Neoclassicism, Romanticism, Modern, and Contemporary art. Also includes video on applied topics such as architectural and graphic design.

Includes content from such production companies as Bullfrog Films, Icarus Films, Good Docs, Kartemquin Films, MediaStorm, the National Film Board of Canada, Scorpion TV Sincerely Films, Terra Nova Films and KimStim. Includes access to the Docuseek2 Complete Collection 2nd Edition, the Docuseek2 Complete Collection 3rd Edition, and the Icarus Films Collection. 

Subjects covered include: environmental studies and sciences, sociology, anthropology, global studies, area studies, women’s studies, history, political science, criminal justice, health, psychology, and the arts.

Access is for Volumes 1-4.

Ethnographic Video Online, Vols. I and II: Foundational Films 
Includes classic and contemporary ethnographies, documentaries and shorts from every continent.

Ethnographic Video Online, Vol. III: Indigenous Voices
Includes films by indigenous filmmakers. Emphasis is on the human effects of climate change, sustainability, indigenous and local ways of interpreting history, cultural change, and traditional knowledge and storytelling. 

Ethnographic Video Online, Vol. IV: Festivals and Archives
Includes titles by contemporary visual anthropologists. Also contains the full catalog of anthropology films from Berkeley Media, formerly known as the University of California’s Extension Center for Media.

Filmakers Library Online provides access to more than 1,500 online streaming titles from the award-winning distributor Filmakers Library. New releases will be added as made available.

Founded in 1848, the AP is one of the oldest and largest news organization in the world.

Includes access to four collections:

British Periodicals Collection I consists of more than 160 journals that comprise the UMI microfilm collection Early British Periodicals, the equivalent of 5,238 printed volumes containing approximately 3.1 million pages. Topics covered include literature, philosophy, history, science, the fine arts and the social sciences.

British Periodicals Collection II consists of more than 300 journals from the UMI microfilm collections English Literary Periodicals and British Periodicals in the Creative Arts together with additional titles, amounting to almost 3 million pages. Topics covered include literature, music, art, drama, archaeology and architecture.

British Periodicals Collection III extends the scope of the program by focusing on leading publications from the first half of the twentieth century. The titles are from the prestigious stable of illustrated periodicals known as the “Great Eight” in British periodical publishing history. They are considered to be among the foremost popular periodicals of the period and were highly influential in their mix of news/politics, miscellany, art, photography, literature and comedy/satire, while launching the careers of many leading artists/illustrators of the age.

British Periodicals Collection IV continues this expansion, offering an eclectic mix of major popular titles from the twentieth century, reflecting the age’s attitudes interests and events across culture, politics and society. Key themes covered in these publications include socialism and the labour movement, international affairs/conflict, leisure/rural life, the arts, travel/empire and childhood/youth.

The Hohenberger collection documents the life, customs, and scenes of the hills of Brown County, in addition to other areas of Indiana, Kentucky, South Carolina, and Mexico.

Users who create an account also gain access to a set of tools for sharing images, curating groups of images, downloading them directly into PowerPoint presentations, and comparing and contrasting images.

Database of information about artists, including names, birth and death dates, state or local affiliation, fields in which artist worked, book and periodical references to artist, dealers and museums where works may be viewed, auction prices of works, some biographical details, etc. Aims at being an unbiased source of information about the commercial value of each artist's work through a comprehensive system of comparables.

The Indiana University Department of the History of Art Dido Image Bank is dedicated to the storage of low resolution (72 dpi) images from the Fine Arts Slide Library collection of over 400,000 images. Encompassing the full breadth of art historical periods and media, the Image Bank contains c.60,000 images, both in-house production and commercially licensed. This compendium of digitized images permits convenient use and access with a graphic web browser. The images are presented in thumbnail and 800 x 600 screen res sizes, and many are also now available in a 1024 x 768 screen resolution. Access to the images is available through keyword search. The DIDO home page also has links to other selected image collections available at IU and on the web. 

Most of the content of DIDO is available to the IU system, but commercially licensed images are available only on the Bloomington campus.

The archive includes: international runway shows from the 1970s until the early 2000s, from over 400 designers, collections from McQueen, Gaultier, Westwood, Chalayan, Galliano, and more. Also includes backstage and front row shots from fashion shows of the past forty years and street-style images from global fashion cities.

Searching is based on tags and descriptive text associated with each manuscript. Images of the complete manuscript can be viewed, manipulated and navigated on screen. Please note that the text of the manuscripts themselves is not searchable.

British Literary Manuscripts Online is published in two parts: British Literary Manuscripts Online, Medieval and Renaissance and British Literary Manuscripts Online, c. 1660-1900

The Digital Scriptorium (DS) is a non-commercial online image database of medieval and Renaissance manuscripts, or manuscripts made in the tradition of books before printing. DS unites scattered resources from a consortium of many libraries into a union catalog for teaching and scholarly research in medieval and Renaissance studies. It provides unprecedented access to illuminated and textual manuscripts through digital cataloging records, supported by high resolution images and retrievable by various topic searches. DS enables users from the most casual to the most specialized to study the rare and valuable materials of academic, research, and public libraries. It makes available collections that are often restricted from public access and includes not only recognized masterpieces but also understudied manuscripts that have been previously overlooked for exhibition or publication. DS fosters the public viewing of non-circulating materials otherwise available only within restricted access libraries. As a visual catalog, DS allows scholars and beginners to verify with their own eyes cataloguing information about places and dates of origin, scripts, artists, and quality. Special emphasis is placed on the touchstone materials, i.e., manuscripts signed and dated by their scribes, thus beginning the American contribution to the goal established in 1953 by the Comité international de paléographie latine (International Committee of Latin Paleography): to document photographically the proportionately small number of codices of certain origin that will serve stylistically to localize and date the vast quantities of unsigned manuscripts. DS publishes not only manuscripts of firm attribution but also ones that need the attention of further scholarship and traditionally would have been unlikely candidates for reproduction. Because it is web-based, it also allows for updates and corrections, and as a matter of form individual records in DS can and do acknowledge contributions from outside scholars. DS encourages interaction between the academic and the library world to build a growing and reciprocally beneficial body of knowledge. DS looks to the needs of a very diverse community of specialists: medievalists, classicists, musicologists, paleographers, diplomatists, literary scholars and art historians. At the same time DS recognizes a broader user community in the public that values rare and unique works of historical, literary and artistic significance.

Includes interactive maps and original documents linked to essays by leading scholars in the field of Empire Studies. The sections cover Cultural Contacts, 1492-1969; Empire Writing and the Literature of Empire; The Visible Empire; Religion and Empire; and Race, Class and Colonialism, c1783-1969. The images are sources from the British Library, including the Oriental and India Office Collections at the British Library; the University of Birmingham Library; the Bodleian Library, Oxford; and the Public Record Office and the State Records, New South Wales, Australia.

Taken by amateur photographer Charles Weever Cushman between 1938 and 1969, the images document an amazing cross-section of American and international subjects, from inner-city storefronts and industrial landscapes to candid portraits and botanical studies. The collection is part of the Indiana University Archives. The richly saturated Kodachrome slides add color to an era primarily recorded in black and white, "a world that we had long since resigned ourselves to viewing only in shades of gray," writes Eric Sandweiss, IU Carmony Chair and Professor of History, in an essay included on the collection's Web site. "In Cushman's work," he observes, "the past becomes, for an instant, impossibly present."

Includes a wide variety of material types, including maps, textbooks, songs and novels. The texts are searchable and browsable by type.

Also includes contextual essays by leading academics, as well as an interactive chronology.

Includes access to Modules 1 and 2. The bulk of the material ranges from the sixteenth century to the early twenty-first century. Module 2 includes six rare Apicius cookbooks, the earliest of which dates from the ninth century.